Fiona Maddocks

Jonathan Harvey – Speakings (2010)  Music

Posted by d'Avignon at May 25, 2011
Jonathan Harvey – Speakings (2010)

Jonathan Harvey – Speakings (2010)
Classical/Avant-garde | APE lossless | cuesheets+log | covers+booklet | 56m06s | 207mb
Label: Aeon | cat. no. AECD 1090
Borusan Quartet - Company: Arvo Part, Hasan Ucarsu, Philip Glass, Peteris Vasks (2017)

Borusan Quartet - Company: Arvo Pärt, Hasan Uçarsu, Philip Glass, Pēteris Vasks (2017)
EAC | FLAC | Image (Cue&Log) ~ 283 Mb | Mp3 (CBR320) ~ 169 Mb | Scans included
Genre: Classical, Contemporary | Label: Onyx Classics | # 4171 | Time: 01:03:45

Of four living composers here, one is less well known. Like the Borusan Quartet itself, Hasan Uçarsu (born 1965) is Turkish. His String Quartet No 2 “The Untold” consists of two short, pensive outer movements – called epilogue and prologue – and two questing, energetic central movements full of Anatolian folk inspiration. Arvo Pärt’s Summa is a string version of a meditative vocal piece from 1977. Pēteris Vasks, like Pärt, found his own spiritual voice within or despite the restrictive Soviet aesthetic, as witnessed in his poignant String Quartet No 4. Philip Glass, in contrast, wrote his Quartet No 2, robustly minimalist, as stage music for an adaptation of Samuel Beckett’s novel Company. A fascinating, engagingly played quartet of quartets.
Sacconi Quartet - On the streets and in the sky (Works by Jonathan Dove) (2025)

Sacconi Quartet - On the streets and in the sky (Works by Jonathan Dove) (2025)
FLAC (tracks), Lossless | 1:15:38 | 271 Mb
Genre: Classical

An album of new works written during the pandemic by celebrated composer Jonathan Dove, the Sacconi Quartet are joined by pianists Charles Owen, Katya Apekisheva and baritone Phillipe Sly. “Many works have been composed during lockdown. This will surely survive as a sonorous record of the time: for the anxiety and dislocation of its first movement, the soaring, twittering birdsong of the second, and the serene, meditative melancholy of the last.” - Fiona Maddocks, The Guardian