Fire Eater (1998) Pirjo Honkasalo, Elina Hurme, Tiina Weckström, Elena Leeve

No Smoke Without Fire is the ninth studio album by rock band Wishbone Ash. It is the first album since 1972's Argus to be produced by Derek Lawrence. It is also the heaviest Wishbone Ash album in years, featuring rockers like the hit single "You See Red" and the multi-part progressive rock epic "The Way of the World." Many fans considered this to be a true return to form after their flirting with an "American" sound on their previous trio of albums.

Software formed in 1983 by German duo Peter Mergener and Michael Weisser, Software owes much to electronic pioneer Klaus Schulze. Software's music usually builds on sequencer patterns and simple melodies, creating a lighter version of the Schulze style.

Rusty Bryant - Fire Eater (1971) {2014 Japan Rare Groove Funk Best Collection 1000 UCCO-90337}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 214 Mb | MP3 @320 -> 84 Mb
Full Artwork @ 600 dpi (png) -> 163 Mb | 5% repair rar
© 1971, 2014 Prestige / Fantasy / Universal Music Japan | UCCO-90337
Jazz / Jazz Funk / Soul Jazz / Saxophone / Organ Hammond B-3

A monster – and one of the best jazz funk albums ever on Prestige! Rusty Bryant blows his top off on this one – taking his tenor stylings out of the more staid R&B mode of earlier years, working with some younger heavy funk jazz players to craft a brilliant album of long searing tunes that's forever been one of the must-haves of the early 70s jazz funk scene! Idris Muhammad's on drums, Wilbert Longmire's on guitar, and the organ work is split between Leon Spencer and Bill Mason, both monstrously great talents, with a propensity for open-stopped hard-wailing playing! Titles include "Fire Eater", "The Hooker", "Mister S", and "Free At Last".

Fans of muscular progressive rock will love Solar Fire, a concept album loosely designed around cosmology. The album opens with the majestic "Father of Night, Father of Day," which has the drive and complexity of a prime King Crimson track. As unlikely as it may seem, the track was controversial in Mann's native South Africa because of the "Father of black, father of white" line, implying that apartheid might not extend to infinite space. The album moves on to the progressive rock/jazz fusion of "In the Beginning, Darkness," a swinging, even funky track that benefits from soulful vocals by Doreen Chanter and Irene Chanter of the Grove Singers. The same duo contributes to the title track, a slow piece that begins with a fairly standard rock structure and incorporates a massive progressive jam in the middle.