Flash In The Usa:

An action-thriller about a writer who takes an experimental drug that allows him to use 100 percent of his mind. As one man evolves into the perfect version of himself, forces more corrupt than he can imagine mark him for assassination. Out-of-work writer Eddie Morra's (Cooper) rejection by girlfriend Lindy (Abbie Cornish) confirms his belief that he has zero future. That all vanishes the day an old friend introduces Eddie to NZT, a designer pharmaceutical that makes him laser focused and more confident than any man alive. Now on an NZT-fueled odyssey, everything Eddie's read, heard or seen is instantly organized and available to him. As the former nobody rises to the top of the financial world, he draws the attention of business mogul Carl Van Loon (De Niro), who sees this enhanced version of Eddie as the tool to make billions. But brutal side effects jeopardize his meteoric ascent. With a dwindling stash and hit men who will eliminate him to get the NZT…

"Do you like to watch?" A woman's voice beckons from the computer. Images flash across the screen - parted lips, bound wrists, flesh. Her seductive tone summons you closer, inviting you... "Do you like to watch?" A woman's voice beckons from the computer. Images flash across the screen - parted lips, bound wrists, flesh. Her seductive tone summons you closer, inviting you in... "Do you want to see more?" If you click "yes" - and you know you want to - you'll be logged on to the internet site feardot.com, and the game begins. What follows is a miasma of hellish images that leave unsuspecting voyeurs suffering from morbid hallucinations and unspeakable terror. When four bodies are discovered among the industrial decay and urban grime of New York City, brash young detective Mike Reilly (STEPHEN DORFF) teams with ambitious Department of Health researcher Terry Huston (NATASCHA MCELHONE) to uncover the cause behind their violent and inexplicable deaths. The only common factor shared by the victims? Each died exactly 48 hours after logging on to feardot.com…
, se trouve confronté à plusieurs morts horribles, probablement consécutives à une mystérieuse épidémie. Epaulé d'une ambitieuse chercheuse du Département de la Santé, Terry Huston, il découvre l'existence d'un site Internet, Terreurpointcom, sur lequel les victimes se sont connectées deux jours avant leur décès

In this new three-part series, ordinary holidaymakers capture the moment their holiday becomes a living hell. Packed with amazing raw footage, interviews and expert analysis, this is a high-octane trip in which dream getaways turn into nightmares.

'Pushin' Too Hard' is a 94-track celebration of 1960s garage punk, a retrospectively named genre first compiled on Lenny Kaye's seminal 1972 collection 'Nuggets'. This is raw, exciting music with tons of attitude - fuzz guitars, swirling organs, wailing harmonicas, thumping drums and tough vocals are plentiful. In the mid 1960s, teenage rock 'n' roll groups proliferated throughout the USA, often inspired by 'British Invasion' bands such as The Beatles, The Rolling Stones and The Yardbirds as well as US styles including surf, blues and folk rock. Most towns and cities had local scenes revolving around dance parties, clubs and 'battle of the bands' contests and many of the bands here were regional royalty but never broke nationally. Key bands featured include The Seeds, The Sonics, The Standells, The Shadows Of Knight, The Thirteenth Floor Elevators, Love, The Electric Prunes, Captain Beefheart & His Magic Band, We The People and ? & The Mysterians. There are national US Billboard Hot 100 hits from Sam The Sham & The Pharaohs - 'Wooly Bully' (#2), The Strangeloves - 'I Want Candy' (#11), The Castaways - 'Liar, Liar' (#12), The Beau Brummels - 'Just A Little' (#15), The McCoys - 'Fever' (#7), The Bobby Fuller Four - 'I Fought The Law' (#9), Paul Revere & The Raiders - 'Just Like Me' (#11), The Barbarians - 'Are You A Boy Or Are You A Girl' (#55), Love - 'My Little Red Book' (#54), The Knickerbockers - 'One Track Mind' (#46) and The Seeds - 'Pushin' Too Hard' (#36) presented here in a longer unedited version. Rarities from The Blue Beats, The Dirty Wurds, The Apparitions, The Bedlam Four and The Jackals are released here on CD for the first time while many other tracks have never been released in the UK before.