Remastered in 24-bit from the original master tapes. Part of our Keepnews Collection, which spotlights classic albums originally produced by the legendary Orrin Keepnews. The 1974 release of this album on the Fantasy group's Milestone label created an instant impact and launched one of the most exciting and tempestuous vocalists of the decade. Flora Purim and her husband, the brilliant percussionist Airto Moreira, had been part of Chick Corea's "Return to Forever" band, and Airto had gained much attention with Miles Davis, but this record combined their Brazilian rhythms for the first time with the "fusion" jazz of players like George Duke and Stanley Clarke. The result was a high-energy music of enormous appeal.
Recorded when she was at the peak of popularity, a result of her stint with Chick Corea's Return to Forever, 500 Miles High presents Flora Purim in concert at the 1974 Montreux Jazz Festival. Accompanied by an all-star band including guitarist David Amaro, flutist Herbie Mann, keyboardist Pat Rebillot, bass legend Ron Carter, and husband (and star in his own right) Airto Moreira on drums, vocals, and various percussion, the Brazilian songstress delivers a fiery performance that must have been a joy to behold. Strictly speaking, this is really more of a band album than a Flora Purim album, as Airto and the guys are featured for extended instrumental romps.
Throughout Flora's Song, the veteran Brazilian singer Flora Purim is heard in prime form. The ten compositions fit her style well; she swings in her own fashion and puts plenty of feeling into her vocals. In addition, there are many fine solos along the way, with the standouts including Harvey Wainapel's flute solo on "Flora's Song" and the steel drums of Andy Narrell on "E Precisa Perdoar" and "Forbidden Love." Whether any of the songs eventually become standards is open to question, but they are welcome additions to Flora Purim's repertoire. This is her most rewarding recording in several years, and she sounds quite happy throughout the excellent set.
This two-disc set by vocalist Flora Purim and percussionist Airto Moreira includes the Grammy-nominated album The Magicians and the rhythmically vibrant The Sun Is Out. The albums, originally released in 1986 and 1989 respectively, give listeners the full benefit of authentic Brazilian jazz and rhythms sung and played by two of the country's most innovative and imaginative artists. Among the favorites are "Esquinas," written by Djavan, and Purim's own "Midday Sun" – both passionate accounts of the Brazilian world and jazz styles.
In 1979, jazz was no longer George Duke's primary focus; his albums were emphasizing soul/funk, and many of the R&B fans who knew him for late '70s hits, like "Dukey Stick," "I Want You for Myself," and "Reach for It," knew little or nothing about his work with Cannonball Adderley, Billy Cobham, or Jean-Luc Ponty. But Duke was still producing some jazz albums here and there, although they weren't necessarily straight ahead. Even though Flora Purim's Carry On, which Duke produced, is primarily a Brazilian jazz album, it isn't for jazz purists – rather, Purim provides an eclectic blend of jazz, samba, R&B/funk, rock and pop.
With a constantly shifting series of musicians at her back, Purim turns in a correspondingly eclectic album, veering freely from the Great American Songbook to jazz-rock to Brazil and back again. However, this album begins in a somewhat unfocused manner – Flora does not sound completely comfortable with the songs in English – and only hits its stride somewhere in the middle, when the Brazilian elements really kick in. Of the standards, "Angel Eyes" is backed bittersweetly by the British saxophone quartet Itchy Fingers, and there is a leisurely, spare-textured "Midnight Sun" featuring George Duke.
Excellent work from Flora Purim – one of the wonderful west coast bits of Braziliana recorded in the Fantasy Records studios during the mid 70s! The record's a perfect example of the greatness that arose when Brazil's best talents had the chance to work with some of America's best jazz and fusion players – a sublime fusion of talents that resulted in a groove that would dominate the west coast scene for most of the 70s. In this case, Flora's backed by a great group that includes Hadley Caliman, Oscar Castro-Neves, Carlos Santana, Ron Carter, George Duke, Earl Klugh, and Airto – and the set includes a great choice of breezy numbers, perfect for Flora's vocals, like "Vera Cruz", "Silver Sword", "Casa Forte", "Mountain Train", and "Search For Peace".
This was one of Flora Purim's finest all-around jazz recordings, and it is luckily available on CD. Purim is featured in a variety of challenging and stimulating settings: on two numbers ("Above the Rainbow" and "Tomara") with pianist McCoy Tyner; teamed up with tenor saxophonist Joe Henderson on Chick Corea's "Windows" and "Black Narcissus"; and utilizing such players as bass trombonist Raul DeSouza, keyboardists Hermeto Pascoal and George Duke, and singer Urszula Dudziak (who is heard on "Encounter") plus Flora's husband, percussionist Airto. The music is primarily group originals and finds Flora Purim in peak form. Highly recommended.