Florian Götz

On their new GENUIN CD, baritone Florian Götz and the musicians of the Grundmann-Quartett dare to present well-known works in new contexts: they perform Franz Schubert's moving „Winterreise” in a version in which the vocal part is accompanied by English horn and string trio. Exciting chromatic worlds open up, and the moods of the individual songs take on new plasticity and tremendous expressive power. The subtle arrangement by Eduard Wesly, the uniquely personal baritone voice of Florian Götz, and the nuanced tonal mixtures of woodwind and strings all contribute equally to this.

At its time Rinaldo created a sensation; it premiered on 24 February 1711 and was staged more than any other Handel opera during his lifetime. The renowned German baroque ensemble lautten compagney Berlin under the musical direction of Wolfgang Katschner, whose great passion applies to music theatre in a historically informed performance practice, presents an adorable interpretation of Handel’s fi rst opera in London on this CD.

La finta giardiniera was a resounding success: after the first performance 1774 in Rome, the opera was translated into several languages and staged in many other European cities and inspired Mozart to write an opera of the same title. This world premiere recording by the ensemble l'arte del mondo shows the exceptional skills of this little-known composer. The Spanish Catalan soprano Nuria Rial is famous for her shining, crystal clear and beautiful voice and is one of the best baroque voices for baroque arias. She was described as "a silvery sounding voice, as clear as a bell."

In its day La scuola de’ gelosi (1778) was one of the best-known comic operas by Antonio Salieri (1750–1825), remaining a box-office hit for decades. All the more astonishing is the fact that it could sink into obscurity. Even Goethe was excited by this masterpiece: “The opera is the audience’s favourite, and the audience is right. It contains an astonishing richness and variety, and the subject is treated with the most exquisite taste. I was moved by every aria.” In the wake of its world premiere in Venice in 1778, La scuola de’ gelosi was performed in opera houses all over Europe, from Dresden, Vienna, Prague and Paris to cities as far away as London and St Petersburg, before it passed into near-oblivion.