Kenny Wheeler has a stunning lyric imagination, apparent in the burnished luster of his flugelhorn and the subtle structures of his compositions. Its present too in the way he picks his musical partners and constructs situations that bring out the very best in them. The quartet here includes two longstanding partners in bassist Dave Holland, a collaborator for nearly four decades, and pianist John Taylor, a regular associate in the group Azimuth. Tenor saxophonist Chris Potter, a regular in Hollands quintet, completes the band; with lines of empathy connecting all four musicians. The absence of a drummer highlights each musicians unique sound. Wheelers lines seem to dance on Taylors limpidly fluid piano like sunlight on water, while Potter blends a muscular assertiveness with Wheelers reflective tunes.
Rosnes Artfully Reimagines Quintessential Brazilian Songs, Joined by Two of Brazil’s Greatest Artists and Composers, Edu Lobo and Joyce Moreno and also features American and Brazilian Stars, including Maucha Adnet, Chris Potter, Steve Davis, Chico Pinheiro, John Patitucci, Adam Cruz, and Rogério Boccato.
Despite the innovation, many PMG fans have nostalgically longed for the return of more accessible material. Kin (<–>), the Unity Band's sophomore outing, should please fans of all Metheny stripes. The band is now a quintet with multi-instrumentalist Giulio Carmassi. He plays piano, strings, brass, winds, vibes, voice, and more. While the frontline remains the guitarist and Potter, the rhythm section of Williams and Sanchez is fluid in earthy and ethereal modes, seamlessly providing grooves and force, often simultaneously. Carmassi's contributions balance melody, form, texture, and interactive dynamics. Metheny's ability to convey an almost hummable sense of melodic euphoria was at the heart of the PMG's sound.