If you weren’t fortunate enough to make it to this concert - or even if you were - this has to be one of Billy’s best gigs and one of the best documented. None of that holding your mobile over your head and annoying everyone else behind you, then missing it all and having a wobbly, screechy video that no one wants to see again. This is a multi-camera epic recorded in stunning 5.1 surround sound make you feel like you were sat in seat 3B and that if you shout ‘Play A New England’ loud enough, Billy might hear you - he’d still ignore you but it’s the thought that counts.
A unique deluxe box edition of prog legends Nektar most critically acclaimed album Remember The Future. Comes with a bonus disc of the famous Chipping Norton Studios session recorded live on March 27, 1974. Among Nektar fans, there are many who consider Remember the Future to be the band's creative peak. The album certainly creates the grounds for making that argument. Indeed, it is an ambitious work that is essentially one composition divided into two parts. The whole is performed in a very seamless and competent manner. Still, many critics just plain didn't get it. The juxtaposition of the two opinions makes this album to Nektar much like what Tales From Topographic Oceans was to Yes…
Collection of rare material from Earth (Pre - Black Sabbath) and Flying Hat Band (Pre - Judas Priest) Earth are no others than the previous incarnation of Black Sabbath in 1969! The Flying Hat Band is the band Glenn Tipton had before joining Judas Priest in 1974. The Earth demo sessions are comprised of 3 heavy bluesy numbers and one cover of "Blue Suede Shoes" already when they changed their name to Black Sabbath. The F.H.B. have a similar sound to Sabbath but also makes remember other bands of the time like Horse, Fuzzy Duck or even Hard Stuff. Four songs were recorded with good quality sound as a demo in 1973 featuring the heavy blues guitar wailing of this later-to-be Metal master.
The Flying Dutchman imprint BluesTime made it a specialty of modernizing old blues guys, bringing such stalwarts as T-Bone Walker, Otis Spann, and Big Joe Turner into the paisley-drenched, psychedelic late '60s. BluesTime also signed Eddie "Cleanhead" Vinson to its label but, for a variety of reasons, the saxophonist didn't follow the label's directive on 1970's The Original Cleanhead, choosing to more or less adhere to the blend of blues, R&B, and bop that became his signature in the '40s, along with relying on a selection of familiar songs. Vinson does show some signs of settling into his role as an old pro – his voice, which surfaces often, is robust and gravelly, he prefers to ease back rather than push – and he's not adverse to giving "Juice Head Baby" space for an organ and horn section that makes it feel somewhat of its time.
Saris founded back in 1981. From 1981 until 1983 they toured extensively in their native Germany, as well as recording the single “Out of Your Night”. For various reasons, there was disagreement about the new musical direction and an upcoming album. So Saris went on the back burner for a few years. In 1992, a new line-up was in place though, as Martin Gellhaus (vocals), Udo Raitzig (bass), Stefan Kremer (keyboards) and Helge Bungert (drums, vocals) joined Akkermann for the recording of an album, released as “Dead End Street” in 1993. A subsequent tour followed and at the end of this, Raitzig and Bungert left the band.