Folk Songs (1996)

Percy Grainger was a weird dude. This is most evident in his orchestrated choral music, here under the direction of John Eliot Gardiner leading his Monteverdi Choir and further aided by the English Country Gardiner Orchestra from 1996.

The third Garcia/Grisman album, this one concentrating on the traditional 'folk' song aspect of their repertoire.

Pete Seeger - A Link In The Chain (1996) {2CD Set, Columbia C2K64772 rec 1961-1971}
XLD rip (secure mode) | FLAC (tracks)+CUE+LOG -> 650 Mb | MP3 @320 -> 272 Mb
Full Artwork @ 300 dpi (png) -> 105 Mb | 5% repair rar
© 1961-71, 1996 Columbia / Legacy / Sony Music | C2K 64772
Folk / Folk Revival / Political Folk / Traditional Folk

While the neophyte might be better advised to start with the 20-track 1972 Columbia compilation The World of Pete Seeger, this collection would make a good second purchase to hear the highlights of Seeger's major-label sojourn. Eschewing such favorites as "Little Boxes" (Seeger's sole chart single) and "If I Had a Hammer" (which Seeger co-wrote), but including many other familiar performances (among them "Turn! Turn! Turn!" and "Where Have All the Flowers Gone?"), the set is thematically organized into story songs, political songs, biographical songs, and children's songs.

Cat Stevens was one of the most popular artists of the '70s. Mobile Fidelity Sound Lab is very proud to present this numbered, limited-edition 3-disc box set containing the hard-to-find Izitso and two titles exclusive to Mobile Fidelity: Back To Earth and Numbers.
Numbers (1975). Subtitled "A Pythagorean Theory Tale," Numbers was a concept album relating to a faraway galaxy, a planet called Polygor, a palace, and its people, the Polygons. The songs presumably told the tale, but as with so many concept albums, listening to Numbers was like hearing a Broadway cast album without having seen the show - something seemed to be going on, but it was hard to tell what…

Allan Taylor is one of England's most-respected singer/songwriters. His songs have been covered by artists on both sides of the Atlantic, including Don Williams, Frankie Miller, Fairport Convention, Dick Gaughan, the McCalmans, the Fureys, the Clancy Brothers, and De Dannan. Folk Roots praised him for his "ability to crystallize a mood and evoke an era with the ease of a computer memory access, crafting perfect songs with dramatic changes in the spirit of Brecht, Bikel, and Brel." The Oxford Book of Traditional Verse felt as strongly, writing that Taylor was "one of the most literate and sensitive of contemporary songwriters in terms of words and music and one who is capable of exploring more complex subjects than most of his contemporaries."