For Duke

This is an eight-CD set more for Duke Ellington fanatics than for general listeners. Originally, some of the music came out as a two-LP set (Ella and Duke at the Cote D'Azur) and a single album (Ellington's Soul Call), but the great majority of the material was previously unreleased when this box came out in 1998.

Max Ionata & Dado Moroni - Two for Duke (2012) { {Jando Music VVJ 077}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 252 Mb | MP3 @320 -> 124 Mb
Full Artwork @ 300 dpi (png) -> 27 Mb | 5% repair rar
© 2012 Jando Music / Millesuone / Via Veneto Jazz | VVJ 077
Jazz / Post Bop / Saxophone / Piano

Two For Duke is a incredibly organic take on eleven Ellington classics as Ionata and Moroni do their own riff on these timeless classics with Ionata's warm rich tone breathing new lyrical life into what could be a musical land mine for some performers of far lesser talent. Moroni's warm and at times blues infused harmonic development is a spot on match for this release. Literally a perfect partnership.

During the month of July 1966, Duke Ellington & His Orchestra performed at the Juan-les-Pins/Antibes Jazz Festival on the French Riviera, locally known as the Côte D'Azur. Situated near a stand of towering pine trees, the stage allowed the instrumentalists to gaze at vessels sailing by on the surface of the Mediterranean Sea. Ellington & His Orchestra, sometimes graced with the presence of vocalist Ella Fitzgerald, were filmed and taped extensively. When Ellington's Soul Call album was released in 1967, there was only room for 14 tracks…

This album is dedicated to Duke Ellington, and it features Duke Ellington tunes - but overall the set is a very personal moment from pianist Masaru Imada - maybe one of his strongest dates of the 70s! The music opens up with that beautifully creative Japanese piano trio approach of the 70s - lots of new ideas and new styles brimming forth throughout, but always in a way that's respectful of tradition while pushing things forward - swinging back to familiar modes one minute, then soaring forth with a personal spirit the next. Masaru's trio-mates here are a great match - the excellent Isoo Fukui on bass and Tetsujiro Obara on drums.

Tender Feelin's is an appropriate title for Duke Pearson's second album for Blue Note. The record is a lovely, relaxed collection of ballads, standards, and jazz staples, with a few originals thrown in for good measure. Since Pearson sticks to the trio format, supported by bassist Gene Taylor and drummer Lex Humphries, the mood of the album remains intimate and low-key. Pearson flourishes in this setting, whether he's playing blues, romantic ballads, or surprisingly lyrical improvised solos. Pearson would later explore more adventurous territory, as well as funkier grooves, but Tender Feelin's remains a wonderfully understated, romantic mainstream jazz record.

Duke Ellington was so brilliant as a bandleader, arranger and composer that sometimes his piano playing was taken for granted. He gave few solo concerts in his career, which makes this particular Music Masters disc something special. At a 1964 appearance before the New York chapter of the Duke Ellington Society, the pianist played several trio numbers ("Take the 'A' Train," "Satin Doll," "Caravan," a drum showcase and a "Blues Medley") with his bassist Peck Morrison and drummer Sam Woodyard. There is also a joyous feature for Willie "The Lion" Smith (Duke's biggest influence) on "Carolina Shout," a remake of the Ellington-Billy Strayhorn piano duet "Tonk," and (best of all) four unaccompanied Ellington solos which are generally thoughtful and moody. This set is a must for Duke Ellington collectors.