For The Love of Mike 1927

Fud Livingston - The Story Of Joseph "Fud" Livingston (2009) {Jazz Oracle BDW8060 rec 1924-1939}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 194 Mb | MP3 @320 -> 171 Mb
Full Artwork @ 300 dpi (jpg) -> 22 Mb | 5% repair rar
© 1924-39, 2009 Jazz Oracle | BDW8060
Jazz / Early Jazz / Hot Jazz / Big Band / Hot Dance / Clarinet

A compilation of important recordings by clarinettist Fud Livingston, a neglected jazzman of the 1920s and 1930s who recorded with Bix Beiderbecke, Red Nichols, Ben Pollack, Jimmy Dorsey and other luminaries. Extensive liner notes by Brad Kay tell the tragic but, at the same time, joyful story of Fud's life and music. Includes a previously-unreleased recording by Ben Pollack from 1924.

Kalama's Quartet - Early Hawaiian Classics 1927-1932 (1993) {Arhoolie 7028}
XLD rip (secure mode) | FLAC (tracks)+CUE+LOG -> 241 Mb | MP3 @320 -> 174 Mb
Full Artwork @ 300 dpi (png) -> 31 Mb | 5% repair rar
© 1927-1932, 1993 Arhoolie Folklyric | CD 7028
World / Folk / International / Vocal / Hawaiian / Oceanic Traditions

26 tracks recorded by Kalama's Quartet (in both its quartet and quintet phases) between 1927-1932, as well as a 1935 recording attributed to Mike Hanapi. Varying in approach from folk balladry to uptempo jazz and hillbilly-flavored numbers, it's ebullient music that's most distinctive when the steel guitars are to the fore. The group also varied their vocal arrangements, but are most noted for the numbers featuring sweet falsetto vocals, such as the Hawaiian standard "Wahine Ui." It not only embodies some of the best attributes of vintage Hawaiian music, but also contains clear seeds of a high, pining sound that would be echoed by such later country and pop singers as Roy Orbison and Marty Robbins.

Big Charlie Thomas was one of many cornetists who recorded as sideman and accompanist during the 1920s, and have since drifted to the margins of jazz history. Like Ed Allen, he worked in groups that often had something or other to do with pianist and music publisher Clarence Williams. If Thomas' brief recording career is mapped out in discographical relief, the details are sketchy but fascinating. During the years 1925-1926 he is believed to have recorded with vocalists Rosa Henderson, Bessie Brown, Sara Martin, Mandy Lee, and Clarence Williams' wife Eva Taylor. In addition to various backing units, he blew his horn with the Dixie Washboard Band, the OKeh Melody Stars, Thomas Morris & His Seven Hot Babies, Buddy Christian's Jazz Rippers, and of course Clarence Williams' Blue Five. His involvement with this last ensemble places Thomas in the same circle as Morris, Sidney Bechet, and Louis Armstrong. So elusive are the recordings of Big Charlie Thomas that were it not for an album of rarities assembled and released during the '90s by the Timeless label, it would be difficult to access his legacy at all.

The idea of An AMERICAN DIARY sprung from my memories of youth. There were two camps in my family, the jazzzers and the longhairs. Picture a very crowded tenement, three railroad rooms in the Bronx filled with my father, his brother, out of work tapdancers billed in vaudeville as ‘Moe’ and ‘Boe’, and my aunts and uncles who were struggling singers, musicians and composers....

This set of CD's are another great collection of memories from our past. Volume two in this great series - each featuring 40 original aussie hits! The booklets include detailed liner noted on each song along with each track's highest Australian (state) chart position. "Live It Up" features the likes of , , , , , , , , , , , , , and many more.

For generations, Sidney Bechet's legacy of great jazz recordings has been reissued carefully, both casually and haphazardly. One of several chronological options, the 12-volume Masters of Jazz "Complete Edition" takes a most exactingly thorough approach, mapping Bechet's every appearance in the recording studio, week by week and session by session, regardless of who was initially designated as the primary artist. 1923, Vol. 1 in the series covers a four-month period from late July to early November 1923…

The technically proficient guitar playing of John Petrucci elevated Dream Theater to the upper echelons of contemporary heavy metal. While its lineup has continuously evolved, the Long Island-based quintet has consistently delivered sharp-edged music…

Compilation of popular and rock music from the 1980s performed and in part written by various musicians including New Zealand musicians Crowded House, Jenny Morris, Dave Dobbyn, Shona Laing, Mi-Sex, The Swingers, Split Enz and Sharon O'Neill.