Four Moons [2014]

The ever popular trope of a snowball’s downhill whirl, building and building into an avalanche, could easily describe the progression of an artist from initial spark to the final product built from the outpouring of ideas. Often, the germinal idea is forgotten by the time the project is completed.

UNFORTUNATELY WE LIVE IN A CULTURE that has made a habit of not just ignoring, but overthrowing time-tested principles that would direct us to virtue and victory if we would observe them. As we see catastrophes and calamities around the world, and the continual upheaval of the foundations and values we hold so dear, we can’t help but wonder what God in heaven is saying to His church.

Boundary-pushing electronic duo and technological pioneers the Future Sound of London have charted a magnificent, unpredictable course throughout their multi-decade career, ranging from early rave staples to ambitious excursions into ambient soundscapes, psychedelic rock, modern classical, and more. Prodigiously releasing club records under various pseudonyms since the late '80s, Garry Cobain and Brian Dougans launched FSOL with the breakbeat house classic "Papua New Guinea" in 1991, following suit with the Accelerator full-length. After signing with Virgin Records in 1992, the duo began releasing more experimental, atmospheric material, including the highly regarded 1994 double album Lifeforms. They also sidestepped traditional methods of touring, instead broadcasting studio performances via ISDN lines. Following 1996's Dead Cities, the duo went on hiatus, re-emerging with the 2002 psychedelic opus The Isness, one of several releases credited to their Amorphous Androgynous alias.