Award-winning drummer and composer Jonathan Silk released his adventurous new album Fragment on November 2016 on Stoney Lane Records – a set of striking, dynamic originals for big band and strings.
After 4 years of work on their 11th release for ReR, this extraordinary, reclusive, and highly individual audio-visual collective continues to evolve through the painstaking accumulation and disposition of a seemingly incompatible range of both exotic and familiar musical languages, instruments, techniques and studio manipulations into one of the few genuinely original bands at work today. It took a long time to refine their unique process of composition to this level of ambiguity and depth and newcomers will wonder how they strayed so far from orthodoxy and yet managed to retain a lucidity and transparency that is quite rare in contemporary music.
Among the many instrumental pieces that remained incomplete at Mozart's death there were four particularly beautiful fragments for violin and piano. Timothy Jones has made multiple new completions of these fragments based on Mozart's evolving style during the 1780s, exploring the open-endedness of the fragments and the different directions the music might have taken. Rachel Podger and Christopher Glynn present the world premiere recordings, which include two completions of each Sonata fragment, enabling listeners to take alternative journeys through Mozart's material.