Franck Nicolas

Du chef d'État, au champion du monde de danse sur glace, Franck Nicolas a observé et exploré ce qui fait vraiment la différence chez les gagnants. Il est formel, c'est en grande partie cette sereine assurance qui rend tous les défis possibles. Ce livre s'adresse donc à toutes celles et ceux qui refusent le statu quo, qui sont prêts à sortir de leur zone de confort pour passer au niveau supérieur, qui attendent plus de leur vie. …

Sans être experts en finance, managers, entrepreneurs, chefs de projets, directeurs de business units sont amenés quotidiennement à dialoguer avec des spécialistes. Ce guide pratique et pédagogique leur permet d'intégrer la dimension financière en sachant : lire un bilan et un compte de résultat, réaliser un diagnostic, élaborer des prévisions financières dans un business plan, évaluer un choix de financement, comprendre les attentes des actionnaires et des banquiers. …

After Franck, Debussy and Strauss, Mikko Franck and the Philharmonic Orchestra of Radio France here continue their collaboration with Alpha Classics, this time with the spotlight on Igor Stravinsky. The programme begins with two pieces from his so-called ‘neo-classic’ period: his Capriccio and Octet. In the first, in which Stravinsky sets up a dialogue between piano and orchestra, the soloist is one of the great stars of the new generation, the French pianist Nathalia Milstein. Then the mood darkens, with the primitive rhythms and ferocious chordal attack of The Rite of Spring, a work that Mikko Franck has long since wanted to immortalize on CD: a major masterpiece of the 20th century and an essential milestone for every orchestra.

Quels sont les effets psychologiques et psychiatriques du confinement sur notre santé ? Et quelles sont les attitudes permettant de faire face aux conséquences de ce stress ?
Cet ouvrage nous conduit au cœur d’une vaste enquête sur le bien-être mental menée pendant le printemps 2020, auprès de 20 000 participants. …

A little-known Franck: Legend has it that César Franck (1822-1890) did not really find himself until the 1870s. This would be to ignore a huge part of his career as a composer! Barely younger than his model and mentor Franz Liszt (1811-1886), whom he met in 1837, he began, like Liszt, to experiment with new musical forms at a very early age, and throughout his life he let his inspiration speak for itself without limit. His chamber music is, in this respect, one of the most fascinating markers of his artistic trajectory, the essence of which has yet to be rediscovered.

Known as the ‘First Lady of the organ’, Marie-Claire Alain was a strikingly mature, creative and intuitive artist. Spanning four centuries of music, from Baroque masterpieces by the likes of Couperin and Grigny, through cornerstones of the French organ repertoire by Widor, Vierne and Messiaen, to two discs of works by her brother Jehan, this collection is testament to her vast and impressively wide-ranging recording legacy.