Frankie Miller – High Life

"That'll Flat… Git It!" is one of the best compilations of the 1950's rockabilly. Each volume contains nearly 30 songs, mostly rockabilly classics and unknown great artists. In spite the tracks were remastered, you can hear some noise, especially in the end of the tracks. This is because many songs were taken from original vinyl singles.

Jive Bunny and the Mastermixers anticipated the megamix boom of the mid-to-late '90s, assembling a seemingly endless series of dancefloor-friendly medleys of pop oldies. The brainchild of British producers John Pickles and Ian Morgan, Jive Bunny came out of nowhere in 1989 to top the UK charts with their debut single "Swing the Mood"; when the follow-ups "That's What I Like" and "Let's Party" both reached number one as well, the duo became only the third act in history (behind Gerry & the Pacemakers and Frankie Goes to Hollywood) to score chart-topping singles with each of their first three releases. Jive Bunny–The Album appeared in 1989 as well; subsequent singles including "That Sounds Good" and "Can Can You Party" reached the British Top Ten, but the group's stay in the limelight was brief and 1990's It's Party Time failed to repeat the commercial impact of its predecessor.

VA - A Time To Remember 1960-1969: 8 CDs each one including an exclusive 20-track music compilation of original hit recordings by the original artists.

Various Artists - Swamp Pop By The Bayou (2014) {Ace Records CDCHD 1397}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 227 Mb | MP3 @320 -> 164 Mb
Full Artwork @ 300 dpi (jpg) -> 37 Mb | 5% repair rar
© 2014 Ace Records | CDCHD 1397
Rock & Roll / Rhythm & Blues / Louisiana / New Orleans

In the mid-50s, as rock’n’roll swept across the USA, the Cajun youth of South Louisiana and South East Texas absorbed the R&B sounds emanating from New Orleans. This was reflected in their music, making it so distinctive. They thrilled to the sound of Fats Domino, Smiley Lewis and Huey Smith and performed their songs with the bands they formed, while the area’s new breed of songwriters – Bobby Charles, Jimmy Donley, Jivin’ Gene, etc – assimilated the Crescent City style in their work. Swamp pop was born, although the genre had yet to be named.