…In short: an all around enjoyable and highly recommended CD!
…In short: the so-called "English Bach" is portrayed here in a very fascinating way; you only really regrets having so few comparisons to the reading of historical conductors.
Masters of Classical Music is an informative and captivating guide to twenty of the most important works in music history. Outtakes from the original scores within the documentaries, assist the viewer by making it easier to follow the music and to overall comprehend the structure of the works. The viewer will travel back in time to experience the birth places of these compositions and will thereby gain insight into the lives of the composers whilst receiving a thorough introduction to the works.
The eighteenth century is probably the most extraordinary period of transformation Europe has known since antiquity. Political upheavals kept pace with the innumerable inventions and discoveries of the age; every sector of the arts and of intellectual and material life was turned upside down. Between the end of the reign of Louis XIV and the revolution of 1789, music in its turn underwent a radical mutation that struck at the very heart of a well-established musical language. In this domain too, we are all children of the Age of Enlightenment: our conception of music and the way we ‘consume’ it still follows in many respects the agenda set by the eighteenth century. And it is not entirely by chance that harmonia mundi has chosen to offer you in 2011 a survey of this musical revolution which, without claiming to be exhaustive, will enable you to grasp the principal outlines of musical creation between the twilight of the Baroque and the dawn of Romanticism.
Fortepiano phenomenon Kristian Bezuidenhout begins his multi-volume traversal of Mozart’s music for solo keyboard.
The unprecedented expansion of music in the age of enlightenment
The eighteenth century is probably the most extraordinary period of transformation Europe has known since antiquity. Political upheavals kept pace with the innumerable inventions and discoveries of the age; every sector of the arts and of intellectual and material life was turned upside down.
The Freiburg Baroque Orchestra, or properly, Freiburger Barockorchester, was founded in 1987 in the German city known as the unofficial "Capital of the Black Forest" by a group of students who shared an interest in playing Baroque music on authentic musical instruments. The first three years of its existence, the Freiburger Barockorchester performed without a conductor, preferring to select a musician from within its own ranks to lead its music on a case-by-case basis. Nevertheless, in 1990 Thomas Hengelbrock was named joint musical director along with Gottfried von der Goltz, a situation that lasted until 1997 when Hengelbrock stepped down. His place was taken by Petra M llejans, who leads the Freiburger Barockorchester in tandem with von der Goltz…. ~ Uncle Dave Lewis , Rovi
It was a good idea to combine works by these two composers of the Vivaldi period who both worked in Dresden; the resulting CD is of high quality musically and also from the scholarly viewpoint. The performances by the Freiburg orchestra on period instruments are very fine and the recording excellent. Lovers of the Baroque should investigate this disc, on which much scholarly and musical effort has been expended.
HC Robbins Landon, BBC Music Magazine