French Curse

Veteran Spanish label, Margen/áMARXE, returns after its outstanding releases of recent years with the first album by an incredible French duo called Fulguromatic. Deeply fascinating, creating unique spaces between the sounds of Canterbury, jazz-rock and incorporating a light, playful and somewhat mischievous touch from the planet Zeuhl that is tremendously addictive. Absolutely captivating, both musically and timbrally, thanks to the use of invented instruments that give it a French flavor "naïve", far from any false transcendence, that ends up creating a singular album that is a breath of fresh air in the progressive scene and an almost magical experience from the first sound to the last.

Producer Joel Silver, director Tony Scott, and screenwriters Shane Black and Greg Hicks team up for this gridiron-set action thriller. Bruce Willis stars as Joe Hallenbeck, who was once a top-of-the-line Secret Service agent but has since become an alcoholic, flea-bag detective. While performing the chores of a two-bit shamus, he discovers his wife Sarah (Chelsea Field) is having an affair with his best friend. Joe is hired to protect Cory (Halle Berry), a stripper who has been getting death threats; Joe begins to sober up when Cory is blown to smithereens. Cory's boyfriend, Jimmy Dix (Damon Wayans), was at one time a NFL football quarterback, but was thrown out of the game for gambling and addiction to Demerol. Smelling something fishy, Joe and Jimmy begin to investigate further and discover layers of corruption in professional football circles, leading up to Sheldon Marcone (Noble Willingham), a corrupt team owner who wants to pay off legislators to legalize gambling on pro football games.

“My time with ECM is a lifetime by now,” Terje Rypdal notes, as he embarks upon his fourth decade with the label that has documented his far-reaching achievements as both improviser and composer. For this anthology, Rypdal chose to focus on his groundbreaking electric guitar artistry, heard in settings ranging from symphony orchestra to the enlightened hard rock of the Chasers. “Music must have colours and freedom”, Rypdal once said, and his selection here lacks neither.