Friday’s Child

2013 five disc (four CDs + DVD) book/box set. This landmark box set is the ultimate artifact for Lee Hazelwood heads new and old, containing a lavishly packaged, expansive 172-page LP sized hard cover book. But every good book deserves a soundtrack and in this case it comes in the form of a four-CD anthology of the LHI label, along with the never-before-released 1970 film Cowboy in Sweden on DVD. One of the most impressive aspects of the LHI box set is the gorgeous 12' x 12' LP sized book, packed with rare beautiful pictures of Lee, his artists (and the occasional horse). The pages roll out the full story of the LHI label, including interviews with Lee and Suzi Jane Hokum, re-assessments of key Hazelwood albums, and artist profiles for the label's roster, lovingly written by renowned L.A. music journalist/novelist Jessica Hundley. In the illuminating text, a picture of Hazelwood emerges - fiercely talented, brutally independent, a rare, ornery, ruthless and visionary man.

The Genuine Philosophers Stone One Review by Richie Unterberger
This very well-assembled, handsomely packaged bootleg gathers interesting odds and ends, mostly unreleased, from Morrison's early career. His very early career, actually; ten of the 18 songs were done by his pre-solo career group Them in 1964-1966, while the remaining eight are publishing demos from the summer of 1968. Leading off the set are two unreleased June 1964 versions of songs Them later released, "Stormy Monday" and "Don't Start Crying Now." The "Stormy Monday" take is definitely rawer than the released one, with the kind of eerie knife-scraped descending guitar swoops that prove that Jimmy Page probably didn't play all of the guitar parts on Them's early records.

The Genuine Philosophers Stone One Review by Richie Unterberger
This very well-assembled, handsomely packaged bootleg gathers interesting odds and ends, mostly unreleased, from Morrison's early career. His very early career, actually; ten of the 18 songs were done by his pre-solo career group Them in 1964-1966, while the remaining eight are publishing demos from the summer of 1968. Leading off the set are two unreleased June 1964 versions of songs Them later released, "Stormy Monday" and "Don't Start Crying Now." The "Stormy Monday" take is definitely rawer than the released one, with the kind of eerie knife-scraped descending guitar swoops that prove that Jimmy Page probably didn't play all of the guitar parts on Them's early records.

The Genuine Philosophers Stone One Review by Richie Unterberger
This very well-assembled, handsomely packaged bootleg gathers interesting odds and ends, mostly unreleased, from Morrison's early career. His very early career, actually; ten of the 18 songs were done by his pre-solo career group Them in 1964-1966, while the remaining eight are publishing demos from the summer of 1968. Leading off the set are two unreleased June 1964 versions of songs Them later released, "Stormy Monday" and "Don't Start Crying Now." The "Stormy Monday" take is definitely rawer than the released one, with the kind of eerie knife-scraped descending guitar swoops that prove that Jimmy Page probably didn't play all of the guitar parts on Them's early records.

The Genuine Philosophers Stone One Review by Richie Unterberger
This very well-assembled, handsomely packaged bootleg gathers interesting odds and ends, mostly unreleased, from Morrison's early career. His very early career, actually; ten of the 18 songs were done by his pre-solo career group Them in 1964-1966, while the remaining eight are publishing demos from the summer of 1968. Leading off the set are two unreleased June 1964 versions of songs Them later released, "Stormy Monday" and "Don't Start Crying Now." The "Stormy Monday" take is definitely rawer than the released one, with the kind of eerie knife-scraped descending guitar swoops that prove that Jimmy Page probably didn't play all of the guitar parts on Them's early records.

Hush! is the fifth album by American pianist and arranger Duke Pearson recorded in 1962 and released on the short-lived Jazzline label in 1962 as The Duke Pearson Quintet.

Nancy Sandra Sinatra is an American singer and actress. She is the elder daughter of Frank Sinatra and Nancy (née Barbato) Sinatra, and is widely known for her 1966 signature hit "These Boots Are Made for Walkin'". Other defining recordings include "Sugar Town", the 1967 number one "Somethin' Stupid" (a duet with her father), the title song from the James Bond film "You Only Live Twice", several collaborations with Lee Hazlewood such as "Jackson", "Summer Wine" and her cover of Cher's "Bang Bang (My Baby Shot Me Down)".