Handel’s Water Music? Beethoven’s 5th? Judas Maccabeus? Familiar strains from these masterworks appear on this delightful new disc by baroque cellists Phoebe Carrai and Tanya Tomkins, but the music itself is by the little-known 19th-century German cellist and composer Friederich August Kummer, who adds his personal stamp to these highly entertaining duets whilst paying homage to the baroque and classical masters. In his day, Kummer was a renowned performer and pedagogue who was principal cellist of the Dresden Opera. Close friends and musical collaborators included Franz Schubert and Felix Mendelssohn. He was the first professor of cello at the Dresden Conservatoire when it opened in 1856.
…Writing of the chamber music of Friedrich Kiel, the famous scholar and critic Wilhelm Altmann notes that it was Kiel’s extreme modesty which kept him and his exceptional works from receiving the consideration they deserved. After mentioning Johannes Brahms and others, Altmann writes, “He produced a number of chamber works, which . . . need fear no comparison.”…
…Writing of the chamber music of Friedrich Kiel, the famous scholar and critic Wilhelm Altmann notes that it was Kiel’s extreme modesty which kept him and his exceptional works from receiving the consideration they deserved. After mentioning Johannes Brahms and others, Altmann writes, “He produced a number of chamber works, which . . . need fear no comparison.”…
Handel's Nine German Arias have been well served on record, with fine CDs already available from Emma Kirkby, Monika Mauch, Julianne Baird, Carolyn Sampson and Arleen Augér among others. For the present recording, the Catalan soprano Nuria Rial comes well equipped to match this stiff competition, with a voice both rich and pure, a sure feeling for baroque style and, what is more, an exceptionally sensitive and brilliant accompaniment by the Austrian Baroque Company led by Michael Oman. Amazon review
Fritz Wunderlich is in absolutely stunning voice in this classic recording of Mozart's "Turkish" opera brilliantly led by Eugen Jochum. Kurt Bohme is a lively, rich voiced Osmin, while Erika Koth and Lotte Schadle are a vivacious pair of female leads. Friedrich Lenz makes for an expert, lyrical second tenor! "The Rough Guide To Opera" says that "this is a justifiably famous performance, . . . not least for its being the first of the opera to present the score uncut. It is also celebrated for being one of Fritz Wunderlich's last and finest studio recordings.
Fritz Wunderlich is in absolutely stunning voice in this classic recording of Mozart's "Turkish" opera brilliantly led by Eugen Jochum. Kurt Bohme is a lively, rich voiced Osmin, while Erika Koth and Lotte Schadle are a vivacious pair of female leads. Friedrich Lenz makes for an expert, lyrical second tenor! "The Rough Guide To Opera" says that "this is a justifiably famous performance, . . . not least for its being the first of the opera to present the score uncut. It is also celebrated for being one of Fritz Wunderlich's last and finest studio recordings.
This work reveals, for the first time in the English language, the long-hidden secrets of the German Rune Magicians who practiced their arts in the beginning of the 20th century. Most of their work has been unavailable even in German for many decades. This book includes material by Guido von List, Friedrich Bernhard Marby, Siegfried Adolf Kummer, Karl Maria Wiligut, Peryt Shou, Karl Spiesberger and others. …