A live recording with cuts from two concerts in Germany, it was recorded live to 24-track and later remixed for an amazing sound quality for a live album. Evans expands on the style of the late Miles Davis and the album is sometimes reminiscent stylistically of We Want Miles, but it has an individual touch due to the contributions from the different bandmembers. It's one of those rare live albums that is really enjoyable even if you were not at one of the shows. This album was voted Best Album of the Month by several large German publications.
Concord Music Group will release five new titles in its Original Jazz Classics Remasters series. Enhanced by 24-bit remastering by Joe Tarantino, several bonus tracks on nearly each disc (some previously unreleased) and new liner notes providing historical context to the original material, the series celebrates the 60th anniversary of Riverside Records, the prolific New York-based label that showcased some of the most influential jazz artists and recordings of the 1950s and '60s.
Recorded at the Village Vanguard in 1961, shortly before Scott LaFaro's death, Waltz for Debby is the second album issued from that historic session, and the final one from that legendary trio that also contained drummer Paul Motian. While the Sunday at the Village Vanguard album focused on material where LaFaro soloed prominently, Waltz for Debby is far more a portrait of the trio on those dates.
This release presents the complete Bill Evans trio album Empathy (Verve LPV6-8497). The LP marks the pianist’s first of only two collaborations with drummer Shelly Manne (the second, A Simple Matter of Conviction, was taped in 1966). Also it is included vibes player Dave Pike’s complete quartet LP Pike’s Peak (Epic LA16025), recorded during the same period and extensively featuring Bill Evans. Both LPs present Evans in unusual contexts, and he would never again record the majority of the songs featured here. As a final bonus, a second version of Gordon Jenkins’ “Goodbye”, taken from a quartet session by Evans with Cannonball Adderley.
Remastered in 24-bit from the original master tapes. Part of our Keepnews Collection, which spotlights classic albums originally produced by the legendary Orrin Keepnews. The legend of Bill Evans really begins with this album, his second. The pianist had just spent most of 1958 as part of one of the major units in jazz history: the Miles Davis Sextet that also featured John Coltrane and Cannonball Adderley.