Look no further than the title to summarize this New Orleans veteran's music on his first studio set in nearly a decade. Bookending the album with the two-part "Shake Your Booty/Funky Thing" ensures that the proceedings start and end with the rump-shaking, horn-propelled R&B that, along with jazz, soul, and blues, makes Walter "Wolfman" Washington's music so much a part of his Crescent City home. He's never been particularly prolific, but after the long span between releases - partially due to the effects and aftereffects of Hurricane Katrina - the Wolf sounds electrified and inspired here. The second track, "I'm Back," tells that story against an urgent groove that keeps the party atmosphere while recounting the hurricane's devastation and his attempts to get the city and its people to return to a place that will never be the same…
Look no further than the title to summarize this New Orleans veteran's music on his first studio set in nearly a decade. Bookending the album with the two-part "Shake Your Booty/Funky Thing" ensures that the proceedings start and end with the rump-shaking, horn-propelled R&B that, along with jazz, soul, and blues, makes Walter "Wolfman" Washington's music so much a part of his Crescent City home. He's never been particularly prolific, but after the long span between releases - partially due to the effects and aftereffects of Hurricane Katrina - the Wolf sounds electrified and inspired here. The second track, "I'm Back," tells that story against an urgent groove that keeps the party atmosphere while recounting the hurricane's devastation and his attempts to get the city and its people to return to a place that will never be the same…
Four albums by the legendary Earl Scruggs – all recorded in the years after he'd split with famous partner Lester Flatt, and moved on to work with a younger array of partners in the Earl Scruggs Revue! Given the way that Scruggs revolutionized the sound of American banjo in the postwar years, he'd always found strong interest from a younger audience – but with these records, he almost seems to give back directly to that group – by working with sons Randy and Gary, the younger of whol sings a lot of lead vocals – and almost brings a roots rock approach to the music.
Avid Jazz here presents four classic Dave Pell albums including original LP liner notes on a finely re-mastered double CD.
The subject may be “Jazz and Romantic Places” and the locations may range from Paris to Rio but the jazz is strictly West Coast and Cool! Dave Pell on tenor sax is joined by the cream of jazz players from the Les Brown band with whom Pell had played for many years. The band having found time between their lucrative “day job” on the Bob Hope TV show to join their old band mate for the trip! For “Jazz Goes Dancing” Dave Pell writes in the original sleeve notes that for this project he was determined to create a jazz album to dance to, just like in the old dance band days…
The first album cut by Gladys Knight & the Pips for Buddah Records was a watershed in their history. Co-produced by the group and Tony Camillo, Imagination embodied all of what Gladys Knight & the Pips had learned in their previous six years at Motown, watching the way their records were made, combined with the maturity of the sound that they'd achieved in that time, and virtually complete freedom to choose their repertory – a factor that they were mature and sophisticated to exploit to the fullest.