Funky Variation

Lee Morgan - The Procrastinator (1967) {1995 Connoisseur CD Series}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 239 Mb | MP3 @320 -> 97 Mb
Full Artwork @ 300 dpi (jpg) -> 16 Mb | 5% repair rar
© 1995 Capitol / Blue Note | 7243 8 33579 2 5 | Super Bit Mapping
Jazz / Hard Bop / Trumpet

It is surprising that Lee Morgan's The Procrastinator was not released when it was recorded in 1967 for the sextet (which includes Wayne Shorter, vibraphonist Bobby Hutcherson, pianist Herbie Hancock, bassist Ron Carter and drummer Billy Higgins) lives up to their potential on a well-rounded set of originals by Morgan and Shorter. The music ranges from the funky "Party Time" (which sounds like it could have been written by Horace Silver) to more explorative pieces.

Aethellis continues its amalgamation of progressive structures, pop hooks and funky grooves with the new collection of songs, "A Home In Your Thoughts". By turns plaintive and inspiring, "A Home In Your Thoughts" is meditation on the persistence of overcoming obstacles, while the joyous, uplifting and powerful “Second Home In Your Thoughts” represents the fruition of that persistence with its multi-thematic epic structure. "Janice," tells the story of a divorced man attempting to reconcile with his ex, detailing his frustrations, yearning and ultimately his belief in the power of love. Add this to an infectious funky groove that spirals into prog territory in the latter half of the song which includes jazzy riffs and solos and concludes with a variation on the main riff but this time in 5/4 (which is hinted at earlier in the song)…

This is one of Lee Morgan's best records. The title track bounces along and is superbly memorable. It features Wayne Shorter, Ron Carter and Herbie Hancock, three musicians who were working with Miles Davis at the time.

On the 3-hour Groove Alchemy DVD, Stanton presents a historical overview of some of the most important drum grooves in history, showing the basic elements and conceptual development of each groove. He then shows you how to learn from the past and develop your own complete vocabulary for creating new funk grooves and patterns on the drumset. Starting with an in-depth study of the James Brown drummers (especially Clyde Stubblefield and Jabo Starks) and Joseph "Zigaboo" Modeliste of the Meters, Groove Alchemy goes far beyond a mere history lesson by applying Stanton's concepts for making your own playing more creative, musical, and funky.

Eddie Harris - People Get Funny… (1987) {2015 Japan Timeless Jazz Master Collection Complete Series CDSOL-6377}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 260 Mb | MP3 @320 -> 96 Mb
Full Artwork @ 600 dpi (png) -> 248 Mb | 5% repair rar
© 1987, 2015 Timeless Records / Solid Records Japan / Ultra-Vibe | CDSOL-6377
Jazz / Soul Jazz / Hard Bop / Jazz Funk

Reissue with the latest remastering. Features original cover artwork. Comes with a descripton in Japanese. A later album from reedman Eddie Harris – but a set that still continues some of his best funky styles from the 70s Atlantic Records years! In fact, the record may well be the last that Eddie ever cut in this mode – a real surprise at a time when some of his other sessions were more traditional – and the record's filled with lots of very groovy surprises that include great Fender Rhodes from William Henderson, plus more electric piano from Eddie – who also sings a bit too, in that great raspy tone of his. Rhythms are often pretty great, too – funky, in an offbeat way – thanks to sweet basslines from Larry Gales and drums from Carl Burnett.

DJs like Gilles Petersen have been hip to the seven-piece wonder band Demon Fuzz for years, and as of the 21st century - now that everybody's put away their James Brown records for sampling - other club jocks are getting into the act of sampling this incredibly rare LP. Afreaka! was the only release by Demon Fuzz. Released in 1970, Afreaka! is a wild mash of Afro-Latin funk, breakbeats, tripped-out soul, jazz fusion, and psychedelic journeying. These seven black musicians took on everything that was happening, and were musicians enough to make it work for them. Most tracks run in the eight- and nine-minute range and get down with tough drums at the core, with rhythmic shifts happening on a grooved dime…