Future Jazz 2

Welcome to the Future Jazz Cafe! Lemongrassmusic present Volume 10 of their outstanding compilation series. 21 modern Electronic Jazz tunes from all over the world, sometimes with a slightly extraordinary feel. This compilation sets the right mood for a good time in a bar, cafe or a stylish restaurant. Enjoy yourselves, get a drink and feel the Jazz vibes!

The fifth volume in the Future Sound of Jazz series is a double-disc set including a range of techno, jazzy and experimental tracks from Nonplace Urban Field, Bjorn Torske, Chaser, Max Brennan, Fauna Flash and Force & Paul, among others.

Welcome to the third chapter of this exquisite compilation series that was launched wayback in 1995. The longevity may be the most obvious proof for its success - and quality! Not for nothing in the past years Future Sounds Of Jazz has been voted repeatedly one of the best compilation series of all times in English and German music magazines like Mixmag, Jockey Slot and Groove. While trends in downtempo music have altered and evolved since the inaugural installment of the Future Sounds of Jazz series, one thing has remained consistent: the series has provided quality compilations featuring some of electronic music's most respected downtempo producers alongside up-and-coming talent.

This and the very first time it’s not compiled by Michael Reinboth, rather by Benjamin Fröhlich and Tom Bioly, the founders and masterminds behind Permanent Vacation. Why? Simply because they both are very close friends of the Compost famlee, with an amazing musical and DJ-like tastefulness, with the knowledge-based trust of music in the vein of vibrant, jazzy electronica hybrids. And they are from Compost Records’ hometown Munich, too. Maybe Volume 14 differs slightly to what the previous 13 brought up music-wise, but that’s the score, idea and open mindedness of this series, as it was by the compilers, and last but not least a great time for a change, too.

Though it's six volumes in and counting, Compost's Future Sounds of Jazz series just keeps on shining. Recruiting a cast of varied standout producers - Ian O'Brien, Fauna Flash, Tosca, Victor Simonelli, United Future Organization, Beatless - helps immensely, as does the sheer variety of productions. All are nominally jazz-based, but vary from downtempo to trip-hop to drum'n'bass with no lack of flow.

Compost proudly presents the 13th chapter of this highly acclaimed compilation series. As usual FSOJ is compiled by Compost head honcho Michael Reinboth with a solid sense of leftfield tracks, punchy floorfillers, ghostly, cinematic, balearic, frazzled, bitter-sweet or mind-shaking hybrid tunes. Several magazines voted FSOJ as the one of the best compilation series of all time. With this series starting 1995 the term Future Jazz became a genre landmark.
FSOJ 13 including some exclusives, sought-after tracks and previously unreleased tracks. Some highlights are: First of all the Van Hai track in a Ripperton remix is a perfect opener into a tranquil music venture. A sheer bliss tune. Montezumas Rache "Wu Du Wu", which was only released on vinyl before - still difficult to find the original 12" - is a freaky outstanding funk hybrid…

The Future Sound of Jazz series is an underated collection of the finest leftfield jazzier flavours from the West German label Compost Records. After the collections trips recently through all areas of dance music , and the most recent messy excursion to disco on volume 11. For volume 12 it's back to a jazzy edge. For FSOJ 12 there's a concoction of future be-bob, house, drum and base, hip -hop, pop, afro- funk, African drum beats,to Nordic Electronic jazz , chilled electronica vocals to Blue note flavoured bossa nova and disco, what a sizzling amalgamation! The collection is on the downtempoe scale of predominantly instrumentals that may take some time to digest.

The fourth volume in the Future Sound of Jazz series is an experimental fusion of Jazz and Trip-Hop that perfect for a late night chillout session and creates a fantastic atmosphere.

For better or worse, Germany's Compost Records has been the benchmark and barometer for measuring the state of downtempo/chillout. While trends in downtempo music have altered and evolved since the inaugural installment of the Future Sounds of Jazz series, one thing has remained consistent: the series has provided quality compilations featuring some of electronic music's most respected downtempo producers alongside up-and-coming talent. This tenth installment, mixed carefully by label owner Michael Reinboth and labelmates Beanfield, features the same high-quality acid jazz, downtempo, and drum'n'bass that devotees of the label have come to expect from the series. Contributions from minimal techno maestro Ricardo Villalobos and jazz legend Cal Tjader (remixed ably by Reinboth)…

Instinct has a reputation for presenting fine compilations highlighting the best of more obscure labels worldwide. This first chapter in their future jazz series heralded styles and categories that have since become adopted into the electronica vernacular. Licensed from Germany's stalwart Compost label, home to many artists eking out their own singular takes on downtempo trip-hop and drum-and-bass, Volume 1 includes contributions from Rephlex's Gentle People (the Casio-squelched lullabies of "Journey"), and Max 404, who uses the gurgling opening synth riff of Gary Numan's "Cars" to devastating effect on the interstellar overdrive "Quiddity." Fauna Flash offers the sultry drum-and-bass sulk of "Sexual Attraction," and there are other outstanding contributions from Patrick Pulsinger, Shantel, Chaser, and Turntable Terranova. The Future Sound Of Jazz is rare groove funk for space critters across the universe.