George Sanders

George Sanders was the classic screen Cad, Mountebank, whatever you want to call him. He was a complex individual, but he had a lovely, rich baritone voice, and could play decent piano, too. This album of show tunes and torch songs is a very underrated thing - the arrangements are subtle, but sweeping and grand when they need to be, and George weighs in with some fine vocalising.

Though his people, the Israelites, are enslaved by the Philistines, Samson, strongest man of the tribe of Dan, falls in love with the Philistine Semadar, whom he wins by virtue of a contest of strength. But Semadar betrays him, and Samson engages in a fight with her real love, Ahtur, and his soldiers. Semadar is killed, and her sister Delilah, who had loved Samson in silence, now vows vengeance against him. She plans to seduce Samson into revealing the secret of his strength and then to betray him to the Philistine leader, the Saran.

Fritz Lang was in peak form as a Hollywood studio director when he made Man Hunt (1941), a terrific thriller whose title, like so many things Langian, cuts two ways. First, Capt. Alan Thorndike (Walter Pidgeon), celebrated English big-game hunter, is caught near Berchtesgaden just as he's drawn a bead on Adolf Hitler. Thorndike claims he had no intention to shoot, it was just "a sporting stalk" - a notion mystifying to his Nazi captors, who aim to parade him before the world as a British government assassin. There follows a harrowing escape, in a forest primeval straight out of Die Nibelungen, and now it's Thorndike who's the quarry, pursued across Europe and home to foggy London - not that he finds much refuge there.

In the 1750s, young orphan John Mohune (Jon Whiteley) arrives at the seaside Dorset village of Moonfleet seeking Jeremy Fox (Stewart Granger), a one-time "friend" of his late mother, to whom she has turned over care of the boy. Fox exudes an aura of class and bravado, along with an obvious love of life and the finer things it can offer, all of which combine to make him a beguiling presence to one and all, including the larcenous, decadent local nobility (George Sanders) and a band of cut-throats led by Elzevir Block (Sean McClory), to whom he has more than a passing acquaintance……

In 1886, in the Victorian London, the corrupt Lord Henry Wotton meets the pure Dorian Gray posing for talented painter Basil Hallward. Basil paints Dorian's portrait and gives the beautiful painting and an Egyptian sculpture of a cat to him while Henry corrupts his mind and soul telling that Dorian should seek pleasure in life. Dorian wishes that his portrait could age instead of him. Dorian goes to a side show in the Two Turtles in the poor neighborhood of London and he falls in love with the singer Sibyl Vane. Dorian decides to get married with her and tells to Lord Henry that convinces him to test the honor of Sibyl. Dorian Gray leaves Sibyl and travels abroad and when he returns to London, Lord Henry tells him that Sibyl committed suicide for love. Along the years, Dorian's friends age while he is still the same, but his picture discloses his evilness and corruptive life. Can he still have salvation or is his soul trapped in the doomed painting?

When strongman Samson rejects the love of the beautiful Philistine woman Delilah, she seeks vengeance that brings horrible consequences they both regret.

In early 1900s England, a young widow, Lucy Muir (Gene Tierney), moves to the seaside village of Whitecliff and into Gull Cottage with her daughter Anna (Natalie Wood) and her maid Martha (Edna Best), despite the fierce disapproval of her mother- and sister-in-law. She rents the house despite discovering…