Godspeed

No Title as of 13 February 2024 28,340 Dead (stylized in all caps and with quotation marks) is the eighth studio album by Canadian post-rock band Godspeed You! Black Emperor, released on 4 October 2024 by Constellation Records.

No Title as of 13 February 2024 28,340 Dead (stylized in all caps and with quotation marks) is the eighth studio album by Canadian post-rock band Godspeed You! Black Emperor, released on 4 October 2024 by Constellation Records.

The inimitable GYBE returns with another soundtrack for our times. As the heretical anarcho-punk spirit of the title implies, Godspeed harnesses some particularly raw power, spittle and grit across two riveting 20-minute side-length trajectories of noise-drenched widescreen post-rock: inexorable chug blossoms into blown-out twang, as some of the band’s most soaring, searing melodies ricochet and converge amidst violin and bassline counterpoint. Field recordings and roiling semi-improvised passages frame these fervent epics, and two shorter self-contained 6-minute pieces find the band at its most devastatingly beautiful, haunting and elegiac.

The instrumental, multimedia Montreal group Godspeed You! Black Emperor creates extended, repetition-oriented chamber rock. The minimal and patient builds-to-crescendo of the group's compositions results in a meditative and hypnotic listen that becomes almost narrative when combined with found-sound splices and the films of their visual collaborators. Collection includes: 'F#A#∞' (1998); 'Slow Riot For New Zero Kanada E.P.' (1999); 'Lift Yr. Skinny Fists Like Antennas To Heaven!' (2000) 2CD; 'Yanqui U.X.O.' (2002); 'Allelujah! Don't Bend! Ascend!' (2012); 'Asunder, Sweet And Other Distress' (2015).

With Godspeed You! Black Emperor, the question is easy: Where do you even begin? For nearly a quarter century the shifting, roughly nine-member Canadian collective has been releasing swelling, torrential compositions that also gracefully loom, like a dewed spiderweb, squaring the circle of neo-classical and punk rock. It is demanding, complex, wordless music, directed in part at the off-switch of the information age. Godspeed — a project that, remarkably, exists completely on its own financial and creative terms — expects an interpretive exchange from its listeners, and rewards surrender to the transaction. This is music that's not a map but an unreliable compass, precise in its dissonance and generous with its emotions.