The Grateful Dead‘s September 8, 1973 concert at Nassau Coliseum in Uniondale, New York will be featured on Dave’s Picks Volume 38, which is due in the second quarter of 2021. Dave’s Picks 2021 subscribers will receive a bonus disc containing highlights from the previous night’s show at the same venue.
April 26, 1983 was the Dead's second night of a two-show stand at The Spectrum. The sextet - which at the time featured guitarists Bob Weir and Jerry Garcia, bassist Phil Lesh, keyboardist Brent Mydland and drummers Mickey Hart and Bill Kreutzmann - opened with Shakedown Street. Surprisingly, this will be the first version of Shakedown Street issued as part of a Dave's Picks release.
We're closing the books on DAVE'S PICKS 2021 with not one but two - nearly - complete shows from Noblesville, IN 7/18/90 & 7/19/90. Yes, we've packed it all on four CDs, save for that second night encore which we promise you'll get to hear in the very near future. Sometimes there really is just too much good stuff.
This month's covermount CD is Grateful Dead: From The Bay To The Pool, Live 1971–1978. A must-hear curation of classic and rare tracks to delight Deadheads and non-believers alike. Wharf Rat, Truckin’, Casey Jones and more!
"There’s the simple fact that the band members were old enough and experienced enough by now to be virtuosos on their instruments (what other group—rock or jazz or any other kind of music—could boast a trio of spectacularly singular talents such as Garcia, Lesh, and Weir?) but were still young enough to want to play and play and play some more, the happy, itchy inclination of youth. As a few of the shows in the Here Comes Sunshine boxed set attest, it wasn’t unusual for a 1973 concert to exceed four hours. And within the shows themselves, there are nearly nightly examples of hour-long orgies of tune-linked songcraft and juicy jamming.
Workingman's Dead was deemed an instant classic upon release and featured such Dead standards as "Uncle John's Band," "Casey Jones," and "Dire Wolf."
“Welcome to the unique, enduring phenomenon of the Grateful Dead in New York City, a mutual devotion, forged in concert, that ran for nearly as long as the band itself—from June 1, 1967, a free show in Tompkins Square Park on the Lower East Side (ahead of the band’s official, local bow at the Cafe Au Go Go), to the Dead’s last Garden run, six nights in October 1994… the Dead’s affinity for New York City… was instant and arguably their most profound with any city aside from San Francisco.” - David Fricke