Andrew Blanch and Emily Granger are a pioneering guitar and harp duo. Both celebrated soloists in their own right, Andrew and Emily combine forces in this beguiling instrumental combination with a synchronicity and charm “enough to win any audience over” (The Advertiser). The pairing of guitar and harp is at once both fresh and familiar, each instrument like an enchanted reflection of the other. Between them, their 53 strings offer a unique richness of resonance and an expanded range of expressive possibilities.
Where the typical ECM continental European chamber sound has been associated with Norwegian pianist Christian Wallumrod, Fabula Suite Lugano adds a new, expansive flavor to what might be expected. This rather ambitious program features a core ensemble, but the sounds are bigger or smaller depending on the inspiration or thematic concept. At the center of many tracks is the violin and viola of Gjermund Larsen and cellist Tanja Orning, but the Baroque harp, as played by Giovanna Pessi, adds more bright colors, while the lone horn (trumpet) of Eivind Lonnig completes the cycle of mystery to this spatial, in-the-main haunting music.
Andrew Blanch and Emily Granger are a pioneering guitar and harp duo. Both celebrated soloists in their own right, Andrew and Emily combine forces in this beguiling instrumental combination with a synchronicity and charm “enough to win any audience over” (The Advertiser). The pairing of guitar and harp is at once both fresh and familiar, each instrument like an enchanted reflection of the other. Between them, their 53 strings offer a unique richness of resonance and an expanded range of expressive possibilities.
In August 2022, the musicians of the Rachmaninoff International Orchestra gathered in Bratislava to perform their first recording under the direction of founder and artistic director Mikhail Pletnev. There is an acclaimed arrangement of Swan Lake by Mikhail Pletnev, coupled with Rodion Shchedrin's famous arrangement of the Carmen Suite from Bizet's masterpiece.
HighNote finally issued this unreleased 1973 live date that puts leader Zoot Sims in the company of pianist Jimmy Rowles, bassist George Mraz and drummer Mousie Alexander. Most of the tunes are standards, but there is a rather rare Sims appearance on the soprano saxophone on "Rocking in Rhythm." The sound here is fine for a club performance though the players are a tad raw. That said, the performance, particularly that of Rowles, is swinging, hot, and blue.
These are rare 'live' recordings of the great Duke Ellington Orchestra performing on Two European tours in London on the 20th of February 1964 and in Stockholm on the 8th of February 1966. As can be seen from the personnel listing below all Ellington luminaries are present making this an extremely collectible addition to the Duke Ellington canon.
While sheltering at home with his family in the Netherlands during the COVID-19 pandemic, Brad Mehldau wrote 12 new songs about what he was experiencing; he was able to record them safely in an Amsterdam studio, along with tunes by Neil Young, Billy Joel, and Jerome Kern, for the album 'Suite: April 2020.
Pianist Yulianna Avdeeva performs three keyboard masterpieces representing three important stages in Bach's creative life. In them, dance rhythms, extravagant improvisations and lyrical beauty combine to showcase the composer's genius. „Yulianna Avdeeva not only has impeccable technique, she “knows” her Chopin, and conveys his music with intensity and tenderness. She loves its furore, its melancholy and fragility.“ (Der Westen)