Gäa from the German state of Saarland have become quite known in collectors’ circles thanks to their LP "Auf der Bahn zum Uranus" from 1974. It is a mature and well-balanced album, the artistic value of which long remained undiscovered. The tasteful cover was designed by Eduard Bell, the brother of Gäa bassist Peter Bell. There were several re-issues of the album - LPs as well as CDs -, but unfortunately not all of them legitimate releases. The CD on Garden of Delights was released in co-operation with the artists and has the original cover artwork.
In early 1975 they recorded three tracks for a, however, unfinished second album. They are simply brilliant and show how mature and inventive the band was at that time…
The stage name of German actress and musician Senta-Sofia Delliponti, Oonagh (the name is derived from a legendary faerie queen of Celtic origins) specializes in evocative, new age, Celtic-infused, fantasy dance-pop…
It takes a long time to find such a distinguished conductor who, in his early 20s, has already conducted orchestras such as the Berlin Philharmonic, the London Symphony Orchestra and the Los Angeles Philharmonic with great success. You will find what you are looking for in this class with the conductor Daniel Harding, who was born in 1975. After many great CD recordings, Harding's work can now be experienced in a fascinating DVD production: in the recording of Mozart's opera »Così fan tutte« at the Aix-en-Provence Festival in 2005 - staged by Patrice Chéreau, the director of the legendary Bayreuth-Rings from 1980. Elina Garança, the new star in the Mozart heavens (who released a sensational Mozart recital on Virgin Classics in November 2005), is there as Dorabella.
The Shadows are usually thought of as the quintessential British instrumental group and, along with the American band the Ventures and the Swedish group the Spotnicks, one of the most popular instrumental groups in the world. But that barely tells the story of their true significance in the history of British rock & roll - including the fact that they were the first homegrown British rock & roll band to dominate the U.K. charts, or that they weren't originally an instrumental group, either.
Following their critically acclaimed Creation Records’ debut, The House Of Love signed to Fontana and embarked on four years of non-stop recording and touring that would take them into the mainstream. Produced in association with founder, frontman and principle songwriter Guy Chadwick, ‘Burn Down The World’ takes an in-depth look at that period in the band’s career, both in the studio and onstage. Featuring countless never before heard demos, lost tracks and live recordings sourced from Fontana’s archive, alongside rare fan club-only releases, compilation appearances, promotional versions and tracks never before available on CD, and accompanied by the thoughts of Guy Chadwick, ‘Burn Down The World’ sheds new light and insight on a rollercoaster ride which took House Of Love from indie darlings to mainstream globetrotters.
Cul de Sac has been described as "post-rock," a vague category for bands typically uncategorizable. Cul de Sac weaves instrumental trances around guitarist Glenn Jones' finger picked stylings that recall surf, Middle Eastern, or folk music. He also plays "the contraption," a Hawaiian lap-steel-guitar laden with effects pedals and played with kitchen utensils. Synthesist Robin Amos produces distinctive sounds by playing instruments he created himself; his electronic sounds are musical, not a distracting novelty as can sometimes happen in similar situations. Bassist Michael Bloom and drummer Jon Proudman provide a rock-solid yet melodic anchor for the band. All four are virtuoso yet sympathetic musicians – none of them hog the spotlight. Crashes to Light Minutes to Its Fall, the band's fifth album, finds Cul de Sac at its most confident and lyrical. The music is complex and cerebral, yet playful and accessible. This is mind-expanding music of the friendliest sort.
Less than two years after their last album, legendary Mexican Electro duo Hocico is once again filling the air with their unabashedly sound and strikes hard with their full range of aggression on the band's brand new album "HyperViolent". Latently menacing and rather insidiously rough as in "Broken Empires" or wrapped in a pulsating Dark'n'Bass tune as in the recently released single "Backstabbers" - Hocico doesn't play shy on any of the 13 tracks of their new longplayer. This also counts for the bonus track “Weapons of Resistance”, which features guest vocals from Ten56 frontman Aaron Matts and which, after previous collaborations with Lord Of The Lost and Ost+Front, means another straight banger, that makes noch only the Aggrotech heart beat faster. In 2022, heavy-hitter Hocico is still going strong in pushing boundaries and breaking old conventions - or simply said: "hyper hyper"!