In 2001 Bettina Mischke and Roland Grosch started their project Jazzamor. Influenced by the Bossa Nova and Latin Jazz of the 60s they developed their own style with Bettina’s voice making it unmistakeable. The arrangements are playful yet minimalistic with great care for detail. Electronic sounds blend with double bass and latino percussions. Melancholic piano aires invoke a blue mood with Bettina’s alluring soft voice giving it all a distinct color. In the beginning Jazzamor was a pure studio project but with their first life concert they began playing all over Europe and in Asia. Maybe the Jazzamor song "Travel…" was like a mission statement for their music. Where ever - in a cafe in Brazil, in a bar in Mosque or in a lounge in Singapore - their songs are on a journey around the world.
Musica Alta Ripa was founded in 1984. The recorder player Danya Segal, two violinists Anne Röhrig and Ursula Bundies, cellist Juris Teichmanis, and harpsichordist Bernward Lohr, all outstanding, sought-after musicians in their fields, joined forces to form an ensemble that owes its special aura to the commingling of their individual personalities.
The most comprehensive edition devoted to Gioachino Rossini marking his 150th anniversary. Born in 1792, Rossini was the most popular opera composer of his time. Although he retired from the Opera scene in 1829, he continued to compose in other genres, including sacred music, piano and chamber works. He did gather his late works under the ironic title Péchés de vieillesse (Sins of Old Age), which veils a true collection of masterworks.
From the beating heart of the capital city Bamako to the rich musical soils of Niafunké, Mali has become synonymous with the raw desert blues sound. Featuring the likes of the legendary Tuareg band Tartit as well as Songhai bluesman Samba Touré, this Rough Guide also includes tracks by other unsung heroes, all of whom share the same goal of preserving a culture under serious threat.
The most comprehensive edition devoted to Gioachino Rossini marking his 150th anniversary. Born in 1792, Rossini was the most popular opera composer of his time. Although he retired from the Opera scene in 1829, he continued to compose in other genres, including sacred music, piano and chamber works. He did gather his late works under the ironic title Péchés de vieillesse (Sins of Old Age), which veils a true collection of masterworks.
Ministry of sound you used to be great at making compilation albums but now it’s the same tracks on every 90s album!
The most comprehensive edition devoted to Gioachino Rossini marking his 150th anniversary. Born in 1792, Rossini was the most popular opera composer of his time. Although he retired from the Opera scene in 1829, he continued to compose in other genres, including sacred music, piano and chamber works. He did gather his late works under the ironic title Péchés de vieillesse (Sins of Old Age), which veils a true collection of masterworks.
Diamonds: The Best of Shirley Bassey anthologizes nearly all of the hits connected to Bassey during her '60s and '70s prime: "Goldfinger," "Diamonds Are Forever," "Big Spender," and "Something." Compared to most of the dozens of Bassey compilations littering the shelves, this one tends more toward Bassey the ballad singer than brassy belter, with selections like "Climb Ev'ry Mountain," "Who Can I Turn To," and "What Now My Love."
When Blixa Bargeld left Nick Cave's Bad Seeds, who would have predicted his departure would result in one of the finest offerings in the band's catalog? Abbatoir Blues/The Lyre of Orpheus is a double CD or, rather, two completely different albums packaged in one very handsome box with a stylish lyric booklet and subtly colored pastel sleeves. They were recorded in a total of 16 days by producer Nick Launay (Kate Bush, Midnight Oil, Girls Against Boys, Silverchair, INXS, Virgin Prunes, et al.). Abbatoir Blues, the first disc in the set (packaged in pink, of course), is a rock & roll record. Yeah, the same guy who released the Boatman's Call, No More Shall We Part, and Nocturama albums has turned in a pathos-drenched, volume-cranked rocker, full of crunch, punishment – and taste.