Genesis Last Domino

More Than 90 Minutes Of The Spectacular Show Of The Genesis Of The Great Frame Knebworth. This opened THE TOUR OF THE "WE CAN NOT DANCE".

…The DVD is an equally colossal affair, incorporating over eight hours of concert footage on two discs (a two-hour concert recorded from four separate camera angles). The multi-camera presentation is amazing, providing a unique front-row perspective of all the stage action. The star of the concert is undoubtedly Phil Collins who leaps around, and batters his drum kit like a hormonal teenager…

Delivered in the wake of Phil Collins' massive success as a solo star, Invisible Touch was seen at the time as a bit of a Phil Collins solo album disguised as a Genesis album, and it's not hard to see why. Invisible Touch is, without a doubt, Genesis' poppiest album, a sleek, streamlined affair built on electronic percussion and dressed in synths that somehow seem to be programmed, not played by Tony Banks…

The Way We Walk, Volume Two: The Longs is the fifth live album by British band Genesis and was released in 1993, having been recorded during their 1992 tour for We Can't Dance. The album's title refers to a lyric in two songs, "I Can't Dance" on the previous volume and "I Know What I Like" on this one. While its companion piece, the preceding The Way We Walk, Volume One: The Shorts contained the band's recent pop hits, The Way We Walk, Volume Two: The Longs focused on the longer songs performed during this period. For the 1992 tour, Genesis performed a "new" medley of their old songs—"Dance on a Volcano/The Lamb Lies Down on Broadway/The Musical Box/Firth of Fifth/I Know What I Like (In Your Wardrobe)"—which replaced the "In the Cage" medley.

It should come as no surprise that the music you listen to as a teenager echoes through your neurological pathways more than any other. Teenage music just means so much - it helps you figure out who you are and who you want to become. You listen to the same things over and over while feeling serious feelings.

If boiled down to a simple synopsis, the Beatles' LOVE sounds radical: assisted by his father, the legendary Beatles producer George, Giles Martin has assembled a remix album where familiar Fab Four tunes aren't just refurbished, they're given the mash-up treatment, meaning different versions of different songs are pasted together to create a new track. Ever since the turn of the century, mash-ups were in vogue in the underground, as such cut-n-paste jobs as Freelance Hellraiser's "Stroke of Genius" – which paired up the Strokes' "Last Night" with Christina Aguilera's "Genie in a Bottle" – circulated on the net, but no major group issued their own mash-up mastermix until LOVE in November 2006.

If boiled down to a simple synopsis, the Beatles' LOVE sounds radical: assisted by his father, the legendary Beatles producer George, Giles Martin has assembled a remix album where familiar Fab Four tunes aren't just refurbished, they're given the mash-up treatment, meaning different versions of different songs are pasted together to create a new track…