Genesis

What happens when you take a master of progressive rock and an accomplished Nashville producer engineer, and put them together with a host of top-flight Nashville session players to reinterpret one of the most revered 70s prog double-albums? In the case of Spock s Beard drummer Nick D'Virgilio and producer engineer Mark Hornsby, you get Rewiring Genesis A Tribute To The Lamb Lies Down on Broadway, and it's fantastic. While the original featured layers of classic synthesizers (ARP, Mellotron, etc.), there's none of that fake string or choir stuff going on here. Besides rock guitar, bass, and Nick's great drumming (and tasteful lead vocal work), The Lamb is filled with real strings, huge vocal arrangements, horn sections, and even some accordion! Clearly, it's not attempting to simply re-record the classic, it's a fresh and beautiful sounding reinterpretation.

This debut Genesis album, which has appeared under license to various labels in addition to Decca and London in different configurations, is largely of historical interest. The group was still in its formative stages, the members barely past their 18th birthdays and still working out what they wanted to sound like. Mostly they sound like the Bee Gees trying to be the Moody Blues (picture something similar to the sound of the former group's Odessa album). "The Silent Sun" and "Where the Sour Turns to Sweet" are pleasant enough, but scarcely indicate the true potential of the group or its members. A pleasant enough piece of pop-psychedelia/art rock, but not a critically important release, except to the truly dedicated.

This was Genesis first album (predating "Trespass", which many assume to be their first album), and was produced by pop music impresario Jonathan King. King's influence is strong, with strings overlaid on many of the short, pop orientated songs….

Genesis keyboardist Tony Banks has made several stabs at a solo career since 1978, writing and recording in various styles and occasionally under different group names. However, none of his attempts have been very commercially successful, a sore point for the man many deem responsible for a large portion of the Genesis sound…

Broadcast by the BBC as Together And Apart, Sum Of The Parts is the official authorised story of Genesis made with the full co-operation of the band members. It tells of the band s formation at Charterhouse (where Tony Banks, Peter Gabriel and Mike Rutherford were all pupils) in the late sixties and the release of their debut album From Genesis To Revelation…

Genesis is a unique case in the world of popular music, as it began its career as a cult band and despite losing its lead singer, the charismatic Peter Gabriel, they moved on with then-drummer Phil Collins as front man, which brought them massive and unexpected success in the 80s. In this chapter of our The Many Faces series, we explore Genesis' inner world, including some of its members' rare side-projects, their collaborations, versions of some of their most iconic songs and the early-stages of the band, when they were still a bunch of teens who hardly imagined they would become one of the greatest bands of all times. The Many Faces Of Genesis is an essential album, that showcases the hidden stories behind a unique band.

Genesis 1970-1975 is a box set of five studio albums by Genesis featuring Peter Gabriel. The 7CD/6DVD box set includes newly remixed versions of the albums Trespass, Nursery Cryme, Foxtrot, Selling England by the Pound and The Lamb Lies Down on Broadway. The band's 1969 debut album, From Genesis to Revelation, was excluded because of the band losing the rights to it. The fifth pair of discs includes B-side songs, 3 rare songs from BBC Sessions in 1970 and the never-before-released Genesis Plays Jackson soundtrack. Each bonus DVD features audio versions of the albums in 5.1 surround sound, as well as videos from each album's corresponding tour, new interviews, and photo galleries.

Depending upon your point of view, Genesis in 1976/1977 was either a band ascending toward its peak commercially, or a group crippled by the departure of a key member, and living on artistic borrowed time. In reality, they were sort of both, and fortunately for the members, their commerciality was more important than their artistic street cred, as their burgeoning record sales and huge audiences on tour during that period attested…