George Duke The Inner Source

In 1971 George Duke, having just recently done his time with the Mothers of Invention, was engaged by the Cannonball Adderley Quintet. Beginning in April of that year, Duke made two recordings over a short timespan that on their release in 1973 as a double LP (against the desire of the artists, by the way), would be a major statement. On Chapter One of his fusion autobiography, “Solus”, Duke, along with the skeleton crew of bassist John Heard and drummer Dick Berk, tries out the new compositional philosophy he had absorbed from his work with Adderley. The album was obliged to maintain a jazzy environment, illustrated by the harmonically flowing piano improvisation on “Love Reborn” and the bop-influenced busyness of “The Followers”. But the record also signifies the importance of the keyboards in all their diverse contexts – the funky rock of “Au-right”, and the smoldering, dreamy feel of “Peace”, for instance.

George Duke - My Soul: The Complete MPS Fusion Recordings, 1971-1976 (2008) {4CD BoxSet MPS Remaster}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.74 Gb | MP3 @320 -> 688 Mb
Full Artwork @ 300 dpi (jpg) -> 33 Mb | 5% repair rar
© 1971-76, 2008 Universal / MPS | 06025 1751504 | 24-bit remaster
Jazz / Fusion / Piano

An amazing package of work from George Duke - 6 of his legendary fusion albums for MPS Records, including the never-reissued double-length set Solus / The Inner Source! That incredible album is worth the price of the package alone - as it begins with some sublime trio work from Duke, rooted in jazz but already stretching out in amazing ways - then moves into some even hipper Latin-styled grooves, with Jerome Richardson on reeds and Luis Gasca on a bit of trumpet! Other albums in the set are equally great - and trace Duke's evolution from straighter jazz into funky freer fusion and soul - an incredible musical shift that's presented on the albums Faces In Reflection, Feel, I Love The Blues She Heard My Cry, The Aura Will Prevail, and Liberated Fantasies - each of them classics in their own right, presented together wonderfully here in this complete MPS package! The set is amazing - with a whopping 64 titles in all, and complete notes on all the music - including some recollections from Duke himself.

George Duke - My Soul: The Complete MPS Fusion Recordings (1971-76) [4CD] {2008 MPS Remaster}
EAC rip (secure mode) | FLAC+CUE+LOG -> 1,76 Gb | MP3 @320 -> 653 Mb
Full Artwork @ 300 dpi (jpg) -> 25 Mb
© 2008 Universal / MPS | 06025 1751504 | 24-bit remaster
Jazz / Fusion / Crossover Jazz

An amazing package of work from George Duke - 6 of his legendary fusion albums for MPS Records, including the never-reissued double-length set Solus / The Inner Source! That incredible album is worth the price of the package alone - as it begins with some sublime trio work from Duke, rooted in jazz but already stretching out in amazing ways - then moves into some even hipper Latin-styled grooves, with Jerome Richardson on reeds and Luis Gasca on a bit of trumpet! Other albums in the set are equally great - and trace Duke's evolution from straighter jazz into funky freer fusion and soul - an incredible musical shift that's presented on the albums Faces In Reflection, Feel, I Love The Blues She Heard My Cry, The Aura Will Prevail, and Liberated Fantasies - each of them classics in their own right, presented together wonderfully here in this complete MPS package! The set is amazing - with a whopping 64 titles in all, and complete notes on all the music - including some recollections from Duke himself.

In 1975 George Duke worked with Sonny Rollins and co-led a group with Billy Cobham. Throughout these years, Duke recorded six albums for MPS: Solus/The Inner Source, Faces in Reflection, I Love the Blues, She Heard My Cry, Feel, The Aura Will Prevail, and Liberated Fantasies, all of which are now regarded as jazz and jazz-funk classics. Duke signed to CBS in late 1975 and released his first solo album for the imprint, From Me to You, in 1976, and began scandalizing jazz critics with his inclusion of funk, disco, and soul elements in his compositions and in the array of musicians who performed with him.