Although pianist Bud Powell recorded some great albums elsewhere (most notably his first couple of sessions for Verve), on the whole his Blue Note records were his most significant and definitive. This four-CD set has all of the music from his five Blue Note albums, his two sessions for the Roost label, and all known alternate takes. Powell literally changed the way that the piano is played in jazz, and this magnificent set has more than its share of classics. In addition to the many trio performances, trombonist Curtis Fuller sits in on three numbers, there are a few solo cuts, and one date features Powell at the head of a quintet with trumpeter Fats Navarro and the young tenor Sonny Rollins. Although there are a few faltering moments in the later dates, this essential release (unlike the similar Verve reissue) is quite consistent.
Sarah Vaughan recorded frequently during her three years with Roulette, and all 16 albums she completed for them plus five previously unissued tracks are included in this comprehensive eight-CD boxed set from Mosaic. The gifted singer is heard in a variety of settings, from superb small-group sessions to big-band settings and various dates bordering on easy listening; the sessions omitting the often syrupy string sections are the cream of this bumper crop.
This seven-CD box set features 95 tracks from legendary drummer Max Roach's small group, consisting of the 1956-1960 recordings for Emarcy and Mercury Records, as these noteworthy sessions also represent the drummer's post Max Roach-Clifford Brown Quintet output. In 1956 the jazz world witnessed the tragic and untimely deaths of the great trumpeter Clifford Brown and pianist Ritchie Powell. Within these seven CDs, we find Roach maintaining his assault on jazz along with trumpeter Kenny Dorham, pianist Ray Bryant, and the drummer's bandmates from the Clifford Brown years, tenor saxophone giant Sonny Rollins and bassist George Morrow.
Exhaustive 30 CD collection from the Jazz legend's short-lived label. Contains 44 original albums (421 tracks) plus booklet. Every record-collector has run across an album with the little sax-playing bird in it's label-logo, right next to the brand name Charlie Parker Records or CP Parker Records. Turning the sleeve over, especially if it was one of the non-Parker releases, and seeing a '60s release date under the header Stereo-pact! Was as exciting an experience as it was confusing. Was the claim Bird Lives meant more literally than previously thought?
The Savoy imprint, after being acquired by an assortment of companies over the years, has been reinvigorated to celebrate its 60th anniversary. This three-disc set includes all of Parker's work for the Dial and Savoy labels (excluding alternate takes–hence the title). It starts off with his appearance as a sideman with the Tiny Grimes Quintette, at which time the 24-year-old's alto saxophone playing bears his unmistakable stamp of fluidity and daring aplomb. The stellar lights of bebop are heard throughout this set, as Parker plays with the likes of Dizzy Gillespie, Miles Davis, and Max Roach, creating the enduring shape of contemporary jazz.
This compact, stylishly packaged, three-disc box set delivers exactly what the title promises: every one of the 47 master tracks (including a few unreleased tracks) recorded by Ella Fitzgerald and Louis Armstrong for Verve between August 1956 and October 1957. The jazz standards and pop songs on disc one and two are what gained the most attention at the time, and justifiably so - Fitzgerald and Armstrong are possibly the two greatest scat singers in jazz history, and under Norman Granz's magnificent tutelage, both perform at the best of their abilities.
The 43 tracks that make up the first part of the The Complete Decca Studio Master Takes 1940-1949 of Louis Armstrong are remarkable not only for the outstanding performances they reflect, but for the many settings Armstrong recorded in during the era. While none of this material will come as a surprise to collectors, those who are starting to check out Armstrong's post-New Orleans period would do themselves a favor in scoping this collection because the Decca years, even more so than his long tenure with Verve, showcase Armstrong at the pinnacle of American popular music, and that that music happens to be jazz is even more revelatory.