George Thomson

Leopold Kozeluch enjoyed such an outstanding reputation already in 1781 that he received an offer from the Archbishop of Salzburg to succeed Mozart as court organist. Kozeluch's piano trios must have been very popular since more than sixty of them appeared in print from 1781 to 1810. The three trios presented here were published in 1798/99 and had been preceded by forty other such works by him. The special feature of these three piano trios lies in his use of melodies from Scottish folk songs in their middle and last movements. Toward the end of the eighteenth century the Edinburgh publisher George Thomson had the idea to have Viennese classical composers set Scottish, Irish, and Welsh folk songs to music with an accompaniment for piano, violin, and violoncello and contacted Haydn, Kozeluch, Pleyel, and (later) Beethoven in the hope of winning them for this project.

'Panorama of American Piano Music' is a comprehensive survey of 20th century piano works, beginning with Ives’ “The Alcotts” movement from the 'Concord Sonata' (1912) through Lou Harrison’s 'Summerfield Set' (1988). Every decade is represented with works from between those years. Pianist Yvar Mikhashoff (1941–93) was a master at presenting marathon concerts on a single theme. The 'Panorama' was one of them, exploring the remarkable diversity of 20th century American music, from serialism to minimalism, populist to avant garde experimentalism, short works for amateur pianists to virtuoso pieces. Never before has such a survey of piano music been represented.