John Adams’ 2005 opera explores the personal and moral issues surrounding the invention of the atomic bomb. Captured live in concert, it has colossal power and conviction. At its center is Gerald Finley’s commanding performance as Robert Oppenheimer, a scientist wracked by doubts. Having sung it at the premiere and many times since, he produces a magnificently characterized creation. Julia Bullock, Brindley Sherratt, Samuel Sakker, and Andrew Staples are all superb in supporting roles and Adams himself draws virtuoso playing from a truly galvanized BBC Symphony Orchestra. A major recording of a modern operatic classic.
John Adams’ 2005 opera explores the personal and moral issues surrounding the invention of the atomic bomb. Captured live in concert, it has colossal power and conviction. At its center is Gerald Finley’s commanding performance as Robert Oppenheimer, a scientist wracked by doubts. Having sung it at the premiere and many times since, he produces a magnificently characterized creation. Julia Bullock, Brindley Sherratt, Samuel Sakker, and Andrew Staples are all superb in supporting roles and Adams himself draws virtuoso playing from a truly galvanized BBC Symphony Orchestra. A major recording of a modern operatic classic.
When 26-year-old Carmell Jones left his native Kansas for California in August 1960, he made an immediate impact on the high-calibre West Coast jazz scene. Snapped up exclusively by Pacific Jazz, he recorded his first album as a leader, “The Remarkable Carmell Jones,” the following June.
"Feeling Good pairs Julie London with arranger Gerald Wilson, who jettisons the spare ambience of her previous records in favor of a dynamic, big-band-inspired approach that casts the singer in an entirely different light. Make no mistake – London's purring vocals are as sultry as ever, but they also boast a new playfulness that's undeniably appealing…"
Some people just know how to make the magic happen when the tape starts rolling. Writer producer Twist Turner found a Chicago cat that looks and sounds like a down home Jackie Wilson and makes it sound like something that was recorded after hours in Muscle Shoals. A big, bold sounding record that defines the divide between soul and blues, this is soul music right in line with the genre's best. Killer stuff sure to curl your toes.
"The Plan of Paris" can be interpreted as a book of individual short stories with detailed, very specific cinematic set pieces conceived as narratives, an intimate, fluid hybrid of jazz, folk and blues. His longtime main ensemble - Wilson on guitar and vocals accompanied by Blue Note recording artist Gerald Clayton on piano and keyboards, bassist David Piltch and Jay Bellerose on drums and percussion - helps bring the tales to life with these musical settings much as, say, Jonny Greenwood's score does in Power of the Dog.
For many, Les McCann Sings, revealed the pianist as a vocalist with something to say – which does less than justice to McCann’s work here, both vocally and pianistically. Singing with great individuality and warmth, his style combines the direct, emotional, and very communicative with an amazingly florid approach in all kind of moods, but mostly on ballads, as is the case on the lovely It’s Way Past Suppertime.