42 original albums (+4 EPs and 27 Singles) gathered on 20CDs ‘Jazz From America On Disques Vogue’ reviews the revolutionary passage from the 78 rpm to the Long-Play era. A totally cool little package – one that features 20 different CDs, each done as a different tiny replica of a 10" LP that originally appeared on the Vogue Records label overseas! Vogue was well-known for recording important sessions by American jazzmen in Paris in the early 50s – but this package brings together work that was recorded in America by many of the same artists, and issued by Vogue in unique packages overseas – many of which are replicated here, along with bonus material too! The set features 20 CDs, but includes 40 different albums – as each CD features tracks from original 10" album releases – with full details on tracks, personnel, and other information in the large booklet provided – a great complement to the records by artists who include Stan Getz, Gerry Mulligan, Red Norvo, Lester Young, Mahalia Jackson, Spirit Of Memphis Quartet, Wynonie Harris, Earl Bostic, Charlie Parker, Charlie Christian, Art Tatum, Erroll Garner, Sidney Bechet, Miles Davis, and others!
This 1982 meeting between the veteran alto saxophonist Lee Konitz and the young pianist (19 at the time of the session) Michel Petrucciani is a success on all counts. Konitz's fragile alto is complemented by Petrucciani's lush backing in "I Hear a Rhapsody," while their abstract approach to "'Round Midnight" and "Lover Man" are both very refreshing. Konitz is unaccompanied for his wandering "Ode," while the pianist is featured alone on his complex portrait "To Erlinda," which is dedicated to his first wife. Petrucciani and Konitz wrote the brief closer, the lively blues "Lovelee," during which they initially play apart from one another before joining forces to close with a flourish. This was only Petrucciani's third recording, yet he plays far beyond his years; this recommended CD will be difficult to find due to the demise of the Owl label.
This incredible box sets collects 35 early Jazz albums released on the legendary French Jazz labels: Disques Vogue founded in 1947 and its subsidiary Swing, which was originally established in Paris in 1937 by Charles Delaunay and passed to Vogue in 1948. The music was recorded during the first post WWII decade (1947-1957) and features both American Jazz artists, who visited France or lived in France at the time as well as European Jazz artists. Paris was at the time the European Jazz center, which corresponded splendidly with its status as the European intellectual center, which produced dramatic and groundbreaking developments in European Philosophy, Plastic Arts, Cinema, Literature and of course music. Most of these albums were originally released on 10-inch LPs, which had a time limit under half an hour, and therefore they are arranged here to span over 20 CDs, each well over an hour long. The music was beautifully remastered and sounds remarkably fresh and vibrant.
Chet Baker was a primary exponent of the West Coast school of cool jazz in the early and mid-'50s. As a trumpeter, he had a generally restrained, intimate playing style and he attracted attention beyond jazz for his photogenic looks and singing.
Chet Baker Quartet Featuring Russ Freeman (1998) is a perfect studio companion to the Mosaic Records set Complete Pacific Jazz Live Recordings of Chet Baker With Russ Freeman (1988). As was the custom for jazz platters of the time, both Baker and Freeman are joined by a different combo on each date. The luminaries include Bobby Whitlock (bass), Joe Mondragon (bass), Bobby White (bass), Larry Bunker (drums) and Shelly Manne (drums) from sessions held circa July and October of 1953.
Chet Baker was a primary exponent of the West Coast school of cool jazz in the early and mid-'50s. As a trumpeter, he had a generally restrained, intimate playing style and he attracted attention beyond jazz for his photogenic looks and singing. But his career was marred by drug addiction. Baker's father, Chesney Henry Baker,Sr., was a guitarist who was forced to turn to other work during the Depression; his mother, Vera (Moser) Baker, worked in a perfumery. The family moved from Oklahoma to Glendale, CA, in 1940. As a child, Baker sang at amateur competitions and in a church choir.