On Jay Geils, Gerry Beaudoin and the Kings of Strings, their free flowing pace and styles open the doors to the 30's and 40's ‘gypsy' style of music in an all acoustic set. Jay and Gerry's playing has a way of drawing in Aaron Weinstein's violin and mandolin like a moth to light, and Aaron, who at the ripe age of 19, shows his understanding of this style of music. Jay Geils, Gerry Beaudoin and the Kings of Strings is an acoustic journey across 13 tracks that mixes jazz classics with a few originals from Gerry Beaudoin.
A killer collection of this unique musical moment from Gerry Mulligan – with material that appeared on the albums Concert Jazz Band, Concert Jazz Band At The Village Vanguard, A Concert In Jazz, Concert Jazz Band On Tour Guest Soloist Zoot Sims, and Gerry Mulligan 63 – plus unissued tracks, too! This four disc-set contains all of the existing Concert Band Sessions from May 1960 to December 1962, and makes available for the first time five previously unreleased performances. Some seven others, whose original tapes are either missing or lost, are notated here for the sake of discography. This was, arguably – after and aside from Mulligan's piano-less quartet with Chet Baker – the most visionary music he ever made. It eclipses his nonet recordings of the 1950s because of the sophisticated charts written by trombonist Bob Brookmeyer, and the writing Mulligan was doing formed the strength of this band – though this is not immediately apparent at the outset of Disc One. The set commences with a version of the band that included six brass, four reeds, Mulligan on baritone (and piano occasionally), bass, and drums.
This five-LP box set, as its title states, contains all of the Gerry Mulligan Quartet's recordings for Pacific Jazz and Capitol, everything that that classic group ever recorded other than the material issued by Prestige and a half record recorded for GNP Crescendo. Unfortunately, this is a limited-edition set that is now out of print but it is well worth bidding on in auctions, for not only does it have all of the Mulligan Quartet's other recordings but also 15 previously unissued performances, all of the sides on which altoist Lee Konitz sat in with the quartet and the eight recordings by the 1953 Gerry Mulligan Tentette. These highly influential performances set the standard for West Coast jazz, made trumpeter Chet Baker a star, and remain some of the high points of Gerry Mulligan's very productive career.
Son of famed vibist Terry Gibbs, drummer Gerry teams up to record this debut of the second incarnation of The Gerry Gibbs Thrasher Band with 5 multi-talented instrumentalist from all over the state of Texas to create the Gerry Gibbs Thrasher Band 2 ,which played and toured together for 5 years.The 6 musicians of the”Thrasher Band” play 27 instruments between them on this date. Instruments include, Soprano, Alto, Tenor & Baritone Saxophones,Piccolo, Flute, Alto Flute, Bass Flute, Clarinet, Bass Clarinet, Acoustic & Electric Guitars, Vibraphone, Glockenspiel, Acoustic Piano, Mini Moog, Melodica, Harmonica, Trumpet, Acoustic Bass, Drums, Balifone, Kalimba, Recorder, Wood Flute, Gongs, Vocals, & Misc. Percussion.After 5 years the band separated with each member to go on to tour and join the bands of people like Christian McBride, Poncho Sanchez, Billy Childs, Strunz & Farrar and others!
Gerry and the Pacemakers were an English beat group prominent in the 1960s Merseybeat scene. In common with the Beatles, they came from Liverpool, were managed by Brian Epstein, and were recorded by George Martin…