Get Closer

Get Closer is the seventh studio album by Australian country music artist Keith Urban. It was released 16 November 2010 on Capitol Nashville. It produced three singles between 2010 and 2011, all of which went to number one on the U.S. Billboard Hot Country Songs charts. This limited deluxe edition (Target Exclusive) of Get Closer includes 3 exclusive tracks plus 4 additional bonus tracks of Keith's biggest hits performed live.

Get Closer is the eleventh studio album by singer, songwriter and producer Linda Ronstadt, released in 1982. Get Closer found Ronstadt returning to the genres that had resulted in her commercial and critical success throughout the 1970s, and working again with British musician and producer Peter Asher. Ronstadt was nominated in early 1983 for a Grammy Award for Best Pop Vocal Performance Female and Best Rock Vocal Performance Female for the album and the song "Get Closer", losing to Melissa Manchester and Pat Benatar respectively. The album did, however, win the Grammy for Best Album Package, an art director's award. The trophy went to well known designers Ron Larson and Kosh.

Get Closer is the seventh studio album by Australian country music artist Keith Urban. It was released 16 November 2010 on Capitol Nashville. It produced three singles between 2010 and 2011, all of which went to number one on the U.S. Billboard Hot Country Songs charts. This was Keith's first album not to go Platinum. It is also Keith's first album not to have a Top 40 hit on the pop chart.

One of the most successful soft rock acts of the 1970s, the duo of Jim Seals and Dash Crofts met while playing with singer Dean Beard in 1958. That year, Beard was invited to join the Champs (of "Tequila" fame), and Seals and Crofts tagged along, remaining with the group until 1965. The two then bounced from the Mushrooms to the Dawnbreakers before deciding to strike out on their own as a duo in 1969. Seals played guitar, saxophone, and fiddle, while Crofts handled drums, mandolin, keyboards, and guitar. From 1972 to 1976, the duo had a string of five gold albums for Warner Bros., with an additional greatest-hits compilation certified double platinum. Their hit singles from this period include "Summer Breeze," "Diamond Girl," "We May Never Pass This Way (Again)," and "Get Closer"; all except the third mentioned reached number six on the Billboard charts. Seals & Crofts became embroiled in controversy in 1974 due to the title track of their Unborn Child album, an anti-abortion song written from the fetus' point of view; the album was a critical failure, while the single flopped and outraged abortion advocates, who held demonstrations at many of the duo's shows.

One of the most successful soft rock acts of the 1970s, the duo of Jim Seals and Dash Crofts met while playing with singer Dean Beard in 1958. That year, Beard was invited to join the Champs (of "Tequila" fame), and Seals and Crofts tagged along, remaining with the group until 1965. The two then bounced from the Mushrooms to the Dawnbreakers before deciding to strike out on their own as a duo in 1969. Seals played guitar, saxophone, and fiddle, while Crofts handled drums, mandolin, keyboards, and guitar. From 1972 to 1976, the duo had a string of five gold albums for Warner Bros., with an additional greatest-hits compilation certified double platinum. Their hit singles from this period include "Summer Breeze," "Diamond Girl," "We May Never Pass This Way (Again)," and "Get Closer"; all except the third mentioned reached number six on the Billboard charts. Seals & Crofts became embroiled in controversy in 1974 due to the title track of their Unborn Child album, an anti-abortion song written from the fetus' point of view; the album was a critical failure, while the single flopped and outraged abortion advocates, who held demonstrations at many of the duo's shows.

One of the most successful soft rock acts of the 1970s, the duo of Jim Seals and Dash Crofts met while playing with singer Dean Beard in 1958. That year, Beard was invited to join the Champs (of "Tequila" fame), and Seals and Crofts tagged along, remaining with the group until 1965. The two then bounced from the Mushrooms to the Dawnbreakers before deciding to strike out on their own as a duo in 1969. Seals played guitar, saxophone, and fiddle, while Crofts handled drums, mandolin, keyboards, and guitar. From 1972 to 1976, the duo had a string of five gold albums for Warner Bros., with an additional greatest-hits compilation certified double platinum. Their hit singles from this period include "Summer Breeze," "Diamond Girl," "We May Never Pass This Way (Again)," and "Get Closer"; all except the third mentioned reached number six on the Billboard charts. Seals & Crofts became embroiled in controversy in 1974 due to the title track of their Unborn Child album, an anti-abortion song written from the fetus' point of view; the album was a critical failure, while the single flopped and outraged abortion advocates, who held demonstrations at many of the duo's shows.