Gewandhaus Quartet

In this new series, the Kaleidoscope Chamber Collective juxtaposes piano quartets by Brahms with ones by his lesser-known contemporaries. For this first volume the group has chosen the Piano Quartet of Luise Adolpha Le Beau. Born in 1850 in Rastatt, in Baden, she studied with Clara Schumann and Franz Lachner, as well as Josef Rheinberger. Her extensive output covers all genres: orchestral works, plenty of choral music, two operas, and an extensive number of Lieder, solo piano pieces, and chamber music. Her Piano Quartet was composed in 1884 and performed in the Leipzig Gewandhaus that year to great critical acclaim; indeed, Julius Riedel, who was responsible for concerts in that venue, told her that her success eclipsed any he had known there. On a concert tour to Vienna in the same year, she met Brahms and Hanslick; both invited her to show them her compositions, and responded positively.

Bartolomeo Campagnoli was a violinist by training, who worked in the courts and capitals of Baroque-era Europe, with posts in Rome, Dresden and then in Leipzig, where he was leader of the venerable Gewandhaus orchestra. Thus most of his own compositions are for strings, focused on his own instrument, and often with pedagogical or commercial aims in mind, such as the 41 Capricci for solo viola and the 7 Divertimenti for solo violin. There is also an extensive Method - in 132 separate lessons! - which was first published by Ricordi in 1797, and reprinted and translated many times. It was around this time that he wrote the six delightful, serenade-like works on this album, scored for flute and string trio.

Bartolomeo Campagnoli was a violinist by training, who worked in the courts and capitals of Baroque-era Europe, with posts in Rome, Dresden and then in Leipzig, where he was leader of the venerable Gewandhaus orchestra. Thus most of his own compositions are for strings, focused on his own instrument, and often with pedagogical or commercial aims in mind, such as the 41 Capricci for solo viola and the 7 Divertimenti for solo violin. There is also an extensive Method - in 132 separate lessons! - which was first published by Ricordi in 1797, and reprinted and translated many times. It was around this time that he wrote the six delightful, serenade-like works on this album, scored for flute and string trio.