Given the subject matter in its title track, Leonard Cohen's advanced age (82), it's tempting to hear You Want It Darker as a last album. In advance of its release, he even told The New Yorker that he was ready to die, only to walk the comment back later. Whether it is or isn't, You Want It Darker is a hell of a record…
This is a rather incredible collection: ten CDs enclosed in a tight black box that includes every one of the recordings Verve owns of Billie Holiday, not only the many studio recordings of 1952-57 (which feature Lady Day joined by such jazz all-stars as trumpeters Charlie Shavers and Harry "Sweets" Edison, altoist Benny Carter, and the tenors of Flip Phillips, Paul Quinichette and Ben Webster). Also included are prime performances at Jazz at the Philharmonic concerts in 1945-1947, an enjoyable European gig from 1954, her "comeback" Carnegie Hall concert of 1956, Holiday's rather sad final studio album from 1959, and even lengthy tapes from two informal rehearsals. It's a perfect purchase for the true Billie Holiday fanatic.
Although he lived most of his life in Nashville, Marty never left the west behind. He proved that he could masterfully reinterpret classic western ballads, as well as write new ones every bit as good as the old ones. His western recordings for both Columbia and MCA are complete here, spanning the years 1958-1979. The set starts with The Hanging Tree, then encompasses the best-selling Gunfighter Ballads albums that included such classic tracks as El Paso, Big Iron, Tonight Carmen, Mister Shorty, and The Cowboy In The Continental Suit, as well as the El Paso sequels like Feleena From El Paso and El Paso City. Marty mixed self-composed epics with many of the greatest vintage western songs to create a tapestry of music that powerfully evokes the old west and the west in transition.
The second box in as many years of a truckload of obscure British psychedelia. Here are ten more CDs' worth of serious rarities by some bands that barely scratched the surface of the British freakbeat scene during rock's golden era, and a few who went on to other things. In all, there are 128 cuts here, all compiled and annotated by Phil Smee – of Perfumed Garden fame (also issued by Past And Present). While some of these acts, such as the Poets, the Human Instinct, Outer Limits, and Denny Laine left marks on the scene, as did mod bands such as les Fleur De Lys and the Buzz; many others came from the swamp and returned with only these few minutes of glory for all of their efforts.