The intoxicating debut from Frozen Ghost commingles Great White North album-oriented rock with a classy new wave chill worthy of their mysterious moniker. Not as artsy as Duran Duran, not as emotive as Ultravox, this pair may be the Canadian answer to Tears for Fears, only better than that sounds. Opening minor hit "Should I See" might as well be the Fixx, but it's actually brainchild Andre Lanni establishing his way with ruminating rhymes and mechanical melody. He came from Sheriff, where he wrote their posthumous smash "When I'm With You" and, after three fine FG works, went on to become a powerhouse producer (King's X) and mentor (Our Lady Peace). Except for the radio number mentioned above, Frozen Ghost fell off the face of the planet instantly. A shame, as the world missed out on the mysterious stranger lurking in "Yum Bai Ya," the military melancholy of "Soldiers Cry," and "End of the Line," a flat-out great pop tune not related to the Traveling Wilburys hit of the same period or even the Roxy Music song (though Roxy roots appear elsewhere). Actually, every track is rock-solid and probably gone forever, further adding to the mystique of one of the all-time should-have-beens.
Beyond the Ghost presents his third album in the Europa Series, a futuristic, bleak and moving sound voyage that merges electronics and acoustics.
Rome, the year is 2062. The whole of Europe has been falling apart for 2 years now. No one is quite sure what war even means at this point. In Rome, a few dozen soldiers of The Alliance fight against small groups of citizens who joined the resistance. Those who are too scared just hide away in bombed-out houses, starving to death, losing their mind. A city that was once beautiful has become the stage for an absurd tragedy of power struggles gone awry. As the sun sets over the Colosseum, a few gunshots and screams echo in the dead of night, the final tremors of a derelict world crumbling to nothingness.