With a beautifully economical piano style full of grace, depth, tone, and plenty of swing, Ahmad Jamal is simply one of the greatest pianists in the history of jazz, but he has been woefully underexposed, even as he has been a giant influence in the genre, on Miles Davis, for one, and Gil Evans, who flirted with Jamal's chamber jazz style…
Assembled is the rare percussive soundtrack to Tarzan the Ape Man that featured the likes of Bud Shank, Bob Cooper, Frank Rosolino and other famed West Coasters. Said Shorty: "At first, I was slightly apprehensive when MGM approached me to write and record the soundtrack for a Tarzan movie, but I needn't have concerned myself. They just said, make it exciting with plenty of drumming, and left me alone to get on with it. So I approached it as if I was really making a new Giants album, which is what it really was. I don't want to sound discourteous, but the album we made was much better that the actual movie". Also included is an equally rare 'live' appearance by the Big Band version of the Giants from an appearance on the TV show the Stars of Jazz.
2 CD set. The complete contents of the original Atlantic label LPs Worthwhile Konitz & Inside Hi Fi, which contain all of Konitz' 1956 quartet recordings. Among the highlights are the sides featuring Konitz, Jimmy Rowles, Leroy Vinnegar and Shelly Manne. This exact formation would never record again. Other tracks feature Sal Mosca, Billy Bauer, Peter Ind, Arnold Fishkin and Dick Scott. The complete 1957 LP The Real Lee Konitz also originally issued by Atlantic has been added as a bonus. It showcases Konitz in a quartet setting again on most of the album.
Released in 2010, Jazz Genius: The Flamingo Era is the ideal sequel to Proper's Little Giant, which examined saxophonist Tubby Hayes' recording activity as sideman and leader during the years 1954-1956. Jazz Genius follows his progress from 1956 through 1961, an exciting period during which he enlarged upon the Charlie Parker/Dizzy Gillespie/James Moody influences by continuing to absorb what was in the air while tapping into his own intuitive gifts, branching out from tenor and baritone saxes to demonstrate a developing facility on both vibraphone and flute. Drawn from six different albums, these 41 selections were originally recorded for the Ember label which was operated by Jeff Kruger, owner of the Flamingo Club in Soho.
The Complete Blue Note/UA/Roulette Recordings of Thad Jones is a wonderful limited-edition three-disc box set, containing everything the trumpeter recorded for the labels in the late '50s. Jones was a fantastic hard bop trumpeter, and the set captures him in all of his glory, making it of interest to serious hard bop connoisseurs.
This November 1956 date marked the first recording of the deeply moving ballad “Soultrane,” and the first exposition as well of the lovely line “On a Misty Night” (based on “September in the Rain”), a number Dameron would later explore himself in other contexts. This is not a typical Tadd Dameron date in that his music is not played by a large ensemble or even a quintet. He is represented as a composer but not as an arranger. Yet his pungent themes come through strongly, carried by the searing, probing tenor saxophone of John Coltrane.
Released in 2010, Jazz Genius: The Flamingo Era is the ideal sequel to Proper's Little Giant, which examined saxophonist Tubby Hayes' recording activity as sideman and leader during the years 1954-1956. Jazz Genius follows his progress from 1956 through 1961, an exciting period during which he enlarged upon the Charlie Parker/Dizzy Gillespie/James Moody influences by continuing to absorb what was in the air while tapping into his own intuitive gifts, branching out from tenor and baritone saxes to demonstrate a developing facility on both vibraphone and flute. Drawn from six different albums, these 41 selections were originally recorded for the Ember label which was operated by Jeff Kruger, owner of the Flamingo Club in Soho.
The two and a half years represented in this mammoth collection made up a period of great activity and development for young John Coltrane. It was a time in which he worked in the Miles Davis Quintet, then joined Thelonious Monk for his historic Five Spot engagement, and then took his place in the legendary 1958 Miles Davis Sextet. It was a time in which he grew from a somewhat promising tenor player to a supernova about to burst upon the jazz world. It was also a span during which Trane traveled with great regularity to the original New Jersey location of the Rudy Van Gelder Studio, taking part in no less than 25 lengthy Prestige recording sessions.
This CD compilation presents, on 8 discs, 17 recording sessions made between 1951 and late 1956 by the extraordinary trumpeter, leader, composer, and perpetual catalyst–Miles Davis. Featured in this collection are such major artists as Charlie Parker, Thelonious Monk, Charles Mingus, Sonny Rollins, Lee Konitz, and the original Davis Quintet: John Coltrane, Red Garland, Paul Chambers, and Philly Joe Jones. The expanse of Miles Davis's recordings for Prestige Records, the California analogue to New York's Blue Note, is huge. In terms of artistic development, the eight CDs in this box span Davis's development from tentative searching through the full bloom of his first great quintet, whose frontline boasted Davis and a young John Coltrane.