Gifts From The Holy Ghost, Dorothy Martin's third studio album as frontwoman for their pseudonymous rock band Dorothy, is the album she's always wanted to make. Born from a sense of diving urgency, it's their most bombastic rock n' roll work yet. While the debut album was made on a combination of whiskey and heartbreak, Gifts was built on sobriety, health, and spiritualism, in a way that reverses the cliched "good girl gone bad" narrative.
As with all histories, context and an appreciation for the times are essential. In 1958, when the earliest of these recordings were made there were probably no more than a handful of reissues of pre-war country blues 78s available on record in the United States. The long-playing 33 1/3 record was, itself, only a recent invention. Today, with hundreds, perhaps thousands, of pre-war blues and hillbilly reissues available and in print, when it’s possible to walk into any halfway decent record store (to the extent record stores, halfway decent or otherwise, still exist) and find the complete recordings of Charley Patton or Blind Willie Johnson, it may be difficult to comprehend just how obscure and how otherworldly this music once was. — Glenn Jones, from the Introduction toYour Past Comes Back to Haunt You.
Bill Withers: The Complete Sussex and Columbia Albums celebrates the timeless artistry of an American master. The set includes the nine albums that Bill released between 1971 through 1985…
In 1975, electronic music pioneer Robert Moog realized a long-held dream at his own expense, to document in high quality recordings the artistry of his idol, Theremin virtuoso Clara Rockmore, who was getting on in years. The equivalent of at least two albums were recorded at Producers Recording Studio in New York with Rockmore, her aging instrument that Moog had just revived from a state of disrepair, and Rockmore's longtime accompanist (and sister) Nadia Reisenberg.
Rod Stewart has been mining the Great American Songbook for the better part of a decade, so it would only make sense that he would get a little bit better as time goes by. And, by some stroke of fate, Fly Me to the Moon – the fifth installment in this never-ending series and first since 2005, as Rod spent the back half of the 2000s taking songbook detours into rock and soul – is Stewart’s best album in the entire serie…