Gil+scott Heron

To mark the tenth anniversary of the release of I’m New Here , the thirteenth - and last - studio album from the legendary US musician, poet and author Gil Scott-Heron, XL Recordings will release a unique reinterpretation of the album by acclaimed US jazz musician Makaya McCraven. The Chicago drummer and producer transforms Gil-Scott Heron's final album into a masterpiece of dirty blues, spiritual jazz, and deep yearning. (Pitchfork)

Gil Scott-Heron's third album is split down the middle, the first side being a purely musical experience with a full band (including flutist Hubert Laws and drummer Pretty Purdie), the second functioning more as a live rap session with collaborator Brian Jackson on flute and a few friends on percussion. For side one, although he's overly tentative on the ballad "The Middle of Your Day," Scott-Heron excels on the title track and the third song, "The Get Out of the Ghetto Blues," one of his best, best-known performances. The second side is more of an impromptu performance, with Scott-Heron often explaining his tracks by way of introduction ("No Knock" referred to a new police policy whereby knocking was no longer required before entering a house, "And Then He Wrote Meditations" being Scott-Heron's tribute to John Coltrane)…

UK three CD set containing a trio of original albums by the Soul poet and activist: Real Eyes, Reflections and Moving Target. Each disc comes packaged in a miniature LP sleeve and all three are housed in an attractive slipcase.

Gil Scott-Heron's 1971 album Pieces of a Man set a standard for vocal artistry and political awareness that few musicians will ever match. His unique proto-rap vocal style influenced a generation of hip-hop artists, and nowhere is his style more powerful than on the classic "The Revolution Will Not Be Televised." Even though the media – the very entity attacked in this song – has used, reused, and recontextualized the song and its title so many times, the message is so strong that it has become almost impossible to co-opt. Musically, the track created a formula that modern hip-hop would follow for years to come: bare-bones arrangements featuring pounding basslines and stripped-down drumbeats. Although the song features plenty of outdated references to everything from Spiro Agnew and Jim Webb to The Beverly Hillbillies, the force of Scott-Heron's well-directed anger makes the song timeless. More than just a spoken word poet, Scott-Heron was also a uniquely gifted vocalist. On tracks like the reflective "I Think I'll Call It Morning" and the title track, Scott-Heron's voice is complemented perfectly by the soulful keyboards of Brian Jackson.

If poet-cum-prophet Gil Scott-Heron taught us anything, it was to find your own truth. Which is precisely what Giacomo Gates does on this 10-track foray into the vast and fertile jungle of Scott-Heron songs, sermons and soliloquies. Gates could have covered pieces like “The Revolution Will Not Be Televised,” “Johannesburg,” “We Almost Lost Detroit,” “Angel Dust” and “B-Movie,” all among Scott-Heron’s best works, none of which have lost their sting.

The jazz poet’s finest Flying Dutchman recordings, as originally compiled in 1974. CD edition includes additional nine tracks from his first three albums.