"More Morricone" is a tribute album recorded in September 2019. To measure oneself against the work of Morricone is a sacred experience, even more so when the main artists who sign this tribute, Ferruccio Spinetti and Giovanni Ceccarelli, are both Italian. The selection of the works on this album is therefore the fruit of a joint work of the Artists, the production but also of Massimo Cardinaletti, a great expert in film music and a close friend of Ennio Morricone.
The Giovanni Guidi Trio plays jazz of uncommon originality and reflective depth. On their second ECM album, Italian pianist Guidi, US bassist Morgan, and Portuguese drummer Lobo continue the work begun on the 2011 recording City of Broken Dreams, with pensive, abstract ballads which shimmer with inner tension. Each of the players has a strong sense for the dialectics of sound and silence. The repertoire is mostly from Guidi’s pen, but also includes the standard "I’m Through with Love", Cuban songwriter Osvaldo Farrés' "Quizás, quizás, quizás" (familiar to jazz listeners through, above all, Nat King Cole’s version), and "Baiiia" by João Lobo.
Pianist Giovanni Guidi (born 1985), is one of the most outstanding musicians to have emerged from the ranks of Italian jazz in the last decade and has already made his presence felt on Enrico Rava’s “Tribe” and “On The Dancefloor” albums. Rava praises both Guidi’s “limitless curiosity” as an improviser and his “relentless refinement” of touch and musical taste, and the pianist continually proves that those qualities are not opposites. His first leader date for ECM is a glowing collection of self-penned tunes, simultaneously inner-directed and creatively daring, with many adroit exchanges between the musicians and plenty of space given also to bassist Thomas Morgan, whose role in the Guidi Trio is perhaps analogous to Scott LaFaro’s in the Evans Trio.
“Rruga”, meaning ‘path’, ‘road’ or ‘journey’ in Albanian, is the evocative title of the ECM debut by the trio of pianist Colin Vallon, bassist Patrice Moret and drummer Samuel Rohrer. After shared musical experiences on the Swiss jazz scene, they began their trio journey five years ago, and have grown into one of Europe’s most promising bands, shaping a rugged and individual music, inspired by songs and singers, and by the music of the Caucasus region as well as by the jazz tradition. Challenging conventions of the modern jazz piano trio, the instrumentalists meet on equal terms as the music is created, arranged and developed collective.