Gipsy Kings Roots

The Gipsy Kings are never going to have the kind of critical acclaim that Paco de Lucia has, but their popularization of poppy rumba flamenca among non-Spanish speakers is nothing to be ashamed of. Nonetheless, here on Roots, the octet turns back to the tradition while making their own imprint on it. Having the band record in an old farm house, producer Craig Street, it seems, simply told them to sit down to play their bittersweet songs. Without electric instruments or a drum set to clutter the mix, brisk acoustic guitars will sweep listeners up in the driving rhythms as lead guitarist Tonino Baliardo soars overhead, particularly on the instrumental songs. When Nicolas, Canut and Patchai Reyes take turns on lead vocals, Street adeptly captures the timbre and nuance of the singers' voices while also delicately balancing the guitar, hand percussion and bass. No pop songs or bombastic rock beats:here's one that purists cannot argue with.

It's been two years since the Gipsy Kings' masterpiece Roots, an album where they kissed big, extravagant production, as well as big drums and keyboards, goodbye. Apparently old habits are hard to break. On the cover of 2007's Pasajero, the Kings look back to the natural thang. They are posed on a picnic table in the middle of some wild grass and trees, playing together, laughing, and singing. Covers can be deceiving, and this is one of them. Pasajero is a big return to glossy sound, extravagant production, big drums, dub bass, and electronic programming and percussion. There's no problem if you dig your Kings that way, of course. The group lays down impeccable nuevo flamenco fusion with all sorts of world traditions, such as reggae on "Pueblos," with a splashy horn section playing in fine dub-cum-mariachi style and a bubbling bassline over the drums.

It's been two years since the Gipsy Kings' masterpiece Roots, an album where they kissed big, extravagant production, as well as big drums and keyboards, goodbye. Apparently old habits are hard to break. On the cover of 2007's Pasajero, the Kings look back to the natural thang. They are posed on a picnic table in the middle of some wild grass and trees, playing together, laughing, and singing. Covers can be deceiving, and this is one of them. Pasajero is a big return to glossy sound, extravagant production, big drums, dub bass, and electronic programming and percussion. There's no problem if you dig your Kings that way, of course. The group lays down impeccable nuevo flamenco fusion with all sorts of world traditions, such as reggae on "Pueblos," with a splashy horn section playing in fine dub-cum-mariachi style and a bubbling bassline over the drums.