Following the breakup of the Smiths, Morrissey needed to prove that he was a viable artist without Johnny Marr, and Viva Hate fulfilled that goal with grace. Working with producer Stephen Street and guitarist Vini Reilly (of the Durutti Column), Morrissey doesn't drastically depart from the sound of Strangeways, Here We Come, offering a selection of 12 jangling guitar pop sounds. One major concession is the presence of synthesizers – which is ironic, considering the Smiths' adamant opposition to keyboards – but neither the sound, nor Morrissey's wit, is diluted. And while the music is occasionally pedestrian, Morrissey compensates with a superb batch of lyrics, ranging from his conventional despair ("Little Man, What Now?," "I Don't Mind If You Forget Me") to the savage political tirade of "Margaret on a Guillotine." Nevertheless, the two masterstrokes on the album – the gorgeous "Everyday Is Like Sunday" and the infectious "Suedehead" – were previously singles, and both are on the compilation Bona Drag.
George Axelrod's script for How to Murder Your Wife isn't politically correct in the least, but you're likely to get a charge out of it – provided you are of the male persuasion, that is. Jack Lemmon stars as Stanley Ford, a successful cartoonist and a confirmed bachelor who shares a lavish apartment with his misogynistic manservant, Charles (Terry-Thomas). While attending a friend's bachelor party, Stanley falls head over heels in love with the gorgeous bikini-clad girl (Virna Lisi) who pops out of a cake. He impulsively marries her, but thinks better of it the next day. Alas, Stanleycan't get a divorce because his bride is an Italian Catholic (this is 1965).
In 1990 Neil Hannon started recording and releasing under the name The Divine Comedy. Thirty years and twelve great albums later, Hannon is rightly adjudged one of the finest singer songwriters of his generation. To celebrate, Divine Comedy Records are remastering and reissuing nine of the band's classic albums.