Giulio Cesare in Egitto

Nicola Rescigno, Orchestra del Teatro La Fenice di Venezia, Boris Christoff - George Frideric Handel: Giulio Cesare (1997)

Nicola Rescigno, Orchestra del Teatro La Fenice di Venezia, Boris Christoff - George Frideric Handel: Giulio Cesare (1997)
EAC | FLAC | Image (Cue & Log) ~ 505 Mb | Total time: 142:00 | Scans included
Classical | Label: Mondo Musica ‎| MFOH 10041 | Recorded: 1966

Giulio Cesare in Egitto (Julius Caesar in Egypt, HWV 17), commonly known simply as Giulio Cesare, is an Italian opera in three acts written for the Royal Academy of Music by George Frideric Handel in 1724. The libretto was written by Nicola Francesco Haym who used an earlier libretto by Giacomo Francesco Bussani, which had been set to music by Antonio Sartorio.
Kathleen Battle, Sir Neville Marriner & Academy of St. Martin in the Fields - Handel: Arias (2024)

Kathleen Battle, Sir Neville Marriner & Academy of St. Martin in the Fields - Handel: Arias (2024)
WEB FLAC (tracks) - 222 Mb | MP3 CBR 320 kbps - 138 Mb | 00:58:52
Classical, Vocal | Label: Warner Classics

For this wonderful recital finally making is digital debut, Kathleen Battle made a beautiful selection of Handel arias excerpted from its most famous operas (Alcina, Giulio Cesare in Egitto), oratorios (Solomon, Messiah) and masques (Acis and Galatea). It is witfully accompanied by Neville Marriner’s Academy, who provides an ideal backdrop in which Battle’s voice can express all its charm and virtuosity. This album is definitely a highlight of our Neville Marriner centenary retrospective!

Handel - Giulio Cesare  eBooks & eLearning

Posted by Boccaccio at Jan. 3, 2008
Handel - Giulio Cesare

Score of Händel's Giulio Cesare
Chrysander | Edition 1875 | 164 pages | Single jpgs (1000x1400) in a zip-file | 35 MB

Giulio Cesare in Egitto (Julius Caesar in Egypt) (HWV 17) is an Italian opera in three acts by George Frideric Handel. The libretto was written by Nicola Francesco Haym. It was first performed in London on February 20, 1724. The opera was an immediate success. Handel revived it (with changes) in 1725, 1730, and 1732; it was also performed in Paris, Hamburg, and Brunswick. Like Handel's other works in the opera seria genre, Giulio Cesare fell into oblivion in the 19th century.
Rene Jacobs - Handel : Rinaldo; Flavio; Giulio Cesare; Duetti e cantata da camera (2008)

René Jacobs - Handel : Rinaldo; Flavio; Giulio Cesare; Duetti e cantata da camera (2008)
Baroque | 9 CD | EAC | APE+CUE, LOG | Covers | TT 10h 35’ | 2,59 GB
Freiburger Barockorchester, Ensemble 415, Concerto Köln, Concerto Vocale, René Jacobs
Recirding: 1978, 1990, 1991, 2003 | Released: 2008 | Label: Harmonia Mundi

The real prize in this jam packed nine-CD set is of course the incandescent recording of Giulio Cesare with some of the most phenomenal singing on record by Larmore, Schlick, and Fink. When this came out it created quite a stir, given it is about as complete as it ever has been, and filled with Jacob’s searching and trend-setting conducting. While it won’t displace favorites of yesteryear, those recordings are of a different era and style altogether, and here the opera comes together in a manner fully redolent of what Handel must have envisioned.
Nicholas Boulton - Great Composers in Words & Music: George Frideric Handel (2024)

Nicholas Boulton - Great Composers in Words & Music: George Frideric Handel (2024)
WEB FLAC (tracks+booklet) - 239 MB | Tracks: 36 | 77:49
Style: Classical | Label: Naxos

Handel’s Music for the Royal Fireworks and Water Music, two of his greatest orchestral achievements, have become synonymous with mid-18th-century England and with the pomp, ceremony and tradition of British royalty. But is this music necessarily synonymous with Handel? Where did his eclecticism and experimentalism come from? How and why did he conquer the emerging genre of the English oratorio and what were the circumstances that allowed him to become one of opera’s greatest composers? This revealing audio biography is accompanied by musical examples drawn from his orchestral and instrumental music, his cantatas, oratorios, operas and those two famous royal commissions.
Nicholas Boulton - Great Composers in Words & Music: George Frideric Handel (2024)

Nicholas Boulton - Great Composers in Words & Music: George Frideric Handel (2024)
WEB FLAC (tracks+booklet) - 239 MB | Tracks: 36 | 77:49
Style: Classical | Label: Naxos

Handel’s Music for the Royal Fireworks and Water Music, two of his greatest orchestral achievements, have become synonymous with mid-18th-century England and with the pomp, ceremony and tradition of British royalty. But is this music necessarily synonymous with Handel? Where did his eclecticism and experimentalism come from? How and why did he conquer the emerging genre of the English oratorio and what were the circumstances that allowed him to become one of opera’s greatest composers? This revealing audio biography is accompanied by musical examples drawn from his orchestral and instrumental music, his cantatas, oratorios, operas and those two famous royal commissions.
Quartetto Vanvitelli - Se in fiorito ameno prato. Handel Sonatas for Violin and Basso Continuo (2025) [24/96]

Quartetto Vanvitelli - Se in fiorito ameno prato. Handel Sonatas for Violin and Basso Continuo (2025) [24/96]
FLAC (tracks) 24-bit/96 kHz | Front Cover | Time - 01:00:54 minutes | 1.12 GB
Classical | Studio Master, Official Digital Download

Handel's violin sonatas composed in London range from the heyday of the Italian opera productions of the Royal Academy of Music to his last English oratorios.
Quartetto Vanvitelli - Se in fiorito ameno prato. Handel: Sonatas for Violin and Basso Continuo (2025)

Quartetto Vanvitelli - Se in fiorito ameno prato. Handel: Sonatas for Violin and Basso Continuo (2025)
WEB FLAC (Tracks +Booklet) 301 MB | Cover | 01:00:54 | MP3 CBR 320 kbps | 148 MB
Classical | Label: Arcana

Handel's violin sonatas composed in London stretch from the heyday of the Royal Academy of Music's Italian opera productions to his last English oratorios. The original purposes, contexts and performers of the sonatas are unknown: only a few survive in autograph manuscripts, and the authorship and instrumentation of pieces preserved in unreliable early printed sources are a confusing mess. Quartetto Vanvitelli invent a narrative that explores the possibilities of emotions, sonorities and connecting tonalities that are offered by several authentic violin sonatas, a few spurious misattributions, quotations from Giulio Cesare in Egitto (1724) and arrangements from several keyboard pieces - a creative vision designed to refract light through the prism of Handel's music.

Roberta Invernizzi - Queens (2017)  Music

Posted by SERTiL at Feb. 18, 2017
Roberta Invernizzi - Queens (2017)

Roberta Invernizzi - Queens
Classical | WEB FLAC (tracks) & d. booklet | 77:53 min | 343 MB
Label: Glossa | Tracks: 13 | Rls.date: 2017

A disc of Handel opera arias from Roberta Invernizzi is remarkable in its own right because it breaks new ground for the Milanese soprano. True, she has taken part in complete operas on disc as on stage, and has recorded plenty of arias by other composers of the time such as Vivaldi, Leo, Porpora, Feo or Mancini (Arias for Domenico Gizzi and I Viaggi di Faustina being two recent albums). This new release from Glossa, however, sees Invernizzi reflecting Handel’s special brand of emotional investigation and making her selection from the many regal characters which pepper Handel’s operas – Cleopatra, Berenice, Arianna and Alcina, among them – and their ardent, affecting, distraught and stately feelings.

Anna Prohaska, Il Giardino Armonico - Serpent & Fire (2016)  Music

Posted by SERTiL at March 3, 2017
Anna Prohaska, Il Giardino Armonico - Serpent & Fire (2016)

Anna Prohaska, Il Giardino Armonico - Serpent & Fire
XLD Rip | FLAC (tracks)+cue, log, d.booklet | 69:57 min | 329 MB
Label: Alpha Classics - Alpha 250 | Tracks: 22 | Rls.date: 2016
Classical, Opera

The German soprano Anna Prohaska joins Alpha Classics for several recording projects. Her first recital brings together two superb African queens – Dido and Cleopatra – and follows them all over Europe during the first century of opera, from the 1640s to 1740. A firework display of arias, virtuosic and tragic by turns, written by the leading personalities of Baroque music (Cavalli, Handel, Purcell, Hasse) and composers still awaiting rediscovery suchas Sartorio, Graupner and the Venetian Castrovillari.