Orange Mountain Music presents this new limited edition 11 disc boxed set - The Symphonies by Philip Glass. This collection features conductor Dennis Russell Davies who has arranged the commission of nine of ten Glass symphonies, leading the orchestras over which he has presided during the past 15 years including the Bruckner Orchester Linz, Vienna Radio Symphony Orchestra, Sinfonieorchester Basel, and the Stuttgart Chamber Orchestra. This collection is the fruit of a 20 year collaboration between Glass and Davies and showcases a wide variety within this surprising body of work by Glass.
Orange Mountain Music presents the new album MUSICAL OFFERING by pianist Feico Deutekom. This new album presents new piano arrangements of classic works by Philip Glass as well as pieces originally composed for piano by Glass himself. Performed by Feico Deutekom who has a long working relationship with Philip Glass and is one of the preeminent specialists of late-Minimalist music, this new album presents new and old music in ways its never been heard before.
This low-budget Philip Glass opera, Les enfants Terribles, is based on a novel and play by Jean Cocteau, forming the third ring in Glass' trilogy of works devoted to the elaborate personal mythology of the great French visionary. Foregoing the controversial and dualistic 1949 film of Les enfants Terribles made by Jean-Pierre Melville, Glass decided to realize the visual element through a collaboration with choreographer Susan Marshall, re-creating Cocteau's story as a "dance opera." Les enfants Terribles is the most compelling Glass score beheld in many years.
This very appealing disc of post-minimal solo piano music, played by Bruce Brubaker, includes two multi-movements works by William Duckworth and Philip Glass. Composer and music critic Kyle Gann describes Duckworth's The Time Curve Preludes (1977-1978), which use repetitive structures, an essentially tonal harmonic language, and a limited amount of musical material, as the first examples of post-minimal music, because of their brevity, which runs counter to the element of minimalism in which musical changes unfold very slowly over a long time span. The preludes are in two books of 12 movements each, and Brubaker plays the first book. Although they rarely involve exact repetition, each prelude takes a musical idea and examines it from a variety of subtly shifting perspectives. The preludes generally have limited harmonic movement and are frequently built on drones, so they tend to create a sense of stasis and equilibrium, sometimes quietly meditative and sometimes busy. Duckworth's quirky hallmark mixture of major and minor modes is evident in many of the preludes. The harmonic movement and gestures of Glass' Six Etudes for Piano, from 1994, make the pieces immediately recognizable as his work.
This elegantly packaged 10 disc retrospective surveys four decades of work by Philip Glass, from his earliest solo pieces to his world-renowned operas to his Oscar-nominated film scores. In music, words and pictures, it traces the evolution, as critic Tim Page puts it in his liner notes essay, of 'the first composer to win a wide, multi-generational audience in the opera house, the concert hall, the dance world, in film and in popular music-simultaneously.' The long-awaited release of this set follows this past spring's triumphal new staging of Glass's 1980 Satyagraha at the Metropolitan Opera House.