Gluck

Glück, Logik und Bluff: Mathematik im Spiel – Methoden, Ergebnisse und Grenzen (Repost)

Glück, Logik und Bluff: Mathematik im Spiel – Methoden, Ergebnisse und Grenzen by Jörg Bewersdorff
Deutsch | PDF | 2010 | 383 Pages | ISBN : 3834807753 | 140.09 MB

Welche Gewinnaussichten bietet ein Spiel? Und wie sollte man am besten spielen? Die beiden Fragen führen je nach Typ eines Spiels zu ganz unterschiedlichen mathematischen Mechanismen:
Die Wahrscheinlichkeitsrechnung erlaubt es, zufällige Einflüsse in Glücksspielen zu kalkulieren, um so die Gewinnchancen der Spieler abzuschätzen. Wie ein Schachcomputer funktioniert und welchen Grenzen die zugrundeliegenden Algorithmen unterworfen sind, davon handelt die Theorie der kombinatorischen Spiele.
Vaclav Luks, Collegium Vocale 1704, Bejun Mehta, Eva Liebau - Gluck: Orfeo ed Euridice (2014) [Blu-Ray]

Václav Luks, Collegium Vocale 1704, Bejun Mehta, Eva Liebau - Gluck: Orfeo ed Euridice (2014) [Blu-Ray]
BluRay | BDMV | MPEG-4 AVC Video / 27733 kbps / 1080i / 29,970 fps | 75 min | 20 Gb
Audio1: Italiano / LPCM Audio / 2.0 / 24-bit | Audio2: DTS-HD MA / 5.0 / 48 kHz / 3353 kbps / 24-bit
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BluRay-rip1 | AVC | MKV 1920x1080 / 5904 kbps / 29,97 fps | 75 min | 5,12 Gb
BluRay-rip2 | AVC | MKV 1280x720 / 2000 kbps / 29,97 fps | 75 min | 3,06 Gb
Audio: Italiano / PCM / 2ch / 48.0 KHz / 24 bits | DTS / 5ch / 48.0 KHz / 24 bits
Classical | ArtHaus | Sub: Italiano, English, Deutsch, Francais, Espanol, Japanese, Korean

Glucks Orfeo ed Euridice is one of music history's most important operas. The cast is led by Bejun Mehta, arguably the best countertenor in the world today (Sueddeutsche Zeitung) as Orfeo, Austrian soprano Eva Liebau as Euridice and Regula Mühlemann as Amore. Director Ondej Havelka combines period details with modern psychological interpretation. The baroque specialist Václav Luks leads the Collegium 1704 and Collegium Vocale 1704. This cinematic edition celebrates Glucks 2014 tricentenary!
Glück, Logik und Bluff: Mathematik im Spiel – Methoden, Ergebnisse und Grenzen (Repost)

Glück, Logik und Bluff: Mathematik im Spiel – Methoden, Ergebnisse und Grenzen by Jörg Bewersdorff
Deutsch | PDF | 2010 | 383 Pages | ISBN : 3834807753 | 140.09 MB

Welche Gewinnaussichten bietet ein Spiel? Und wie sollte man am besten spielen? Die beiden Fragen führen je nach Typ eines Spiels zu ganz unterschiedlichen mathematischen Mechanismen:
Die Wahrscheinlichkeitsrechnung erlaubt es, zufällige Einflüsse in Glücksspielen zu kalkulieren, um so die Gewinnchancen der Spieler abzuschätzen. Wie ein Schachcomputer funktioniert und welchen Grenzen die zugrundeliegenden Algorithmen unterworfen sind, davon handelt die Theorie der kombinatorischen Spiele.
Glück, Logik und Bluff: Mathematik im Spiel - Methoden, Ergebnisse und Grenzen (Repost)

Glück, Logik und Bluff: Mathematik im Spiel - Methoden, Ergebnisse und Grenzen by Jörg Bewersdorff
Deutsch | PDF | 2012 | 385 Pages | ISBN : 3834819239 | 279.54 MB

Welche Gewinnaussichten bietet ein Spiel? Und wie sollte man am besten spielen? Die beiden Fragen führen je nach Typ eines Spiels zu ganz unterschiedlichen mathematischen Mechanismen: Die Wahrscheinlichkeitsrechnung erlaubt es, zufällige Einflüsse in Glücksspielen zu kalkulieren, um so die Gewinnchancen der Spieler abzuschätzen. Wie ein Schachcomputer funktioniert und welchen Grenzen die zugrundeliegenden Algorithmen unterworfen sind, davon handelt die Theorie der kombinatorischen Spiele.
Glück, Logik und Bluff: Mathematik im Spiel - Methoden, Ergebnisse und Grenzen (Repost)

Glück, Logik und Bluff: Mathematik im Spiel - Methoden, Ergebnisse und Grenzen by Jörg Bewersdorff
Deutsch | PDF | 2012 | 385 Pages | ISBN : 3834819239 | 279.54 MB

Welche Gewinnaussichten bietet ein Spiel? Und wie sollte man am besten spielen? Die beiden Fragen führen je nach Typ eines Spiels zu ganz unterschiedlichen mathematischen Mechanismen: Die Wahrscheinlichkeitsrechnung erlaubt es, zufällige Einflüsse in Glücksspielen zu kalkulieren, um so die Gewinnchancen der Spieler abzuschätzen. Wie ein Schachcomputer funktioniert und welchen Grenzen die zugrundeliegenden Algorithmen unterworfen sind, davon handelt die Theorie der kombinatorischen Spiele.
Ivor Bolton, Teatro Real Chorus and Orchestra - Gluck: Alceste (2015) [Blu-Ray]

Ivor Bolton, Teatro Real Chorus and Orchestra - Gluck: Alceste (2015) [Blu-Ray]
BluRay | BDMV | MPEG-4 AVC Video / 15000 kbps / 1080i / 29,970 fps | 147 min | 21,1 Gb
Audio: Français / LPCM Audio / 2.0 / 48 kHz / 2304 kbps / 24-bit
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BluRay-rip | AVC | MKV 1920x1080 / 6215 kbps / 29,970 fps | 147 min | 8,84 Gb
Audio: Français / PCM / 2ch / 48.0 KHz / 24 bits
Classical | EuroArts | Sub: Spanish, French, German, English

The 300th anniversary of Christoph Willibald Glucks birth in 2014 was celebrated at the Teatro Real in Madrid with a new production of Alceste (French version), staged by Krysztof Warlikowski and starring Angela Denoke as Alceste. Alceste is Glucks most programmatic example of his quest for purer expression and deeper meaning. All its elements show a conscious effort to recreate the tragic origins of opera: its staunch dramatic unity, austere musical form, use of the chorus as a fundamental part of the story and, above all, its anachronistic but devoted adaptation of Euripides' tragedy.
Alan Curtis & Il Complesso Barocca - Brilliant Opera Collection: Gluck Demofoonte (2020)

Alan Curtis & Il Complesso Barocca - Brilliant Opera Collection: Gluck Demofoonte (2020)
FLAC tracks | 03:12:11 | 1,1 Gb
Genre: Classical / Label: Brilliant Classics

Demofoonte dates from the early ‘Milan years’ of Christoph Willibald Gluck (1714–1787), long before the radical ‘reform operas’ for which he is most famous and his break with opera seria and the librettos of Pietro Metastasio. Gluck arrived in the northern Italian city in 1737 and was mentored there by composer Giovanni Battista Sammartini. Though Sammartini primarily composed symphonies and music for the church, Milan boasted a vibrant opera scene, and Gluck soon formed an association with one of the city's up-and-coming opera houses, the Teatro Regio Ducal. His first opera, Artaserse, on a libretto by Metastasio, premiered there on 26 December 1741 and opened the Milanese Carnival of 1742. Gluck went on to compose an opera for each of the next four Carnivals at Milan, Demofoonte being the second of these and his third opera overall, premiering on 6 January 1743.

Philippe Jaroussky - Gluck: Orfeo ed Euridice (2018)  Music

Posted by delpotro at May 17, 2018
Philippe Jaroussky - Gluck: Orfeo ed Euridice (2018)

Philippe Jaroussky - Gluck: Orfeo ed Euridice (2018)
WEB FLAC (tracks) - 398 Mb | MP3 CBR 320 kbps - 179 Mb | 01:17:40
Classical, Vocal | Label: Parlophone Records, Erato Records

Star countertenor Philippe Jaroussky continues his exploration of operatic settings of the Orpheus myth with the most famous of the many operas inspired by the story of the Greek poet who searches for his dead wife in the Underworld: Gluck's Orfeo ed Euridice. It contains one of the world's best-loved operatic arias, Orfeo's restrained, but moving lament, 'Che farò senza Euridice'.
Stefan Plewniak, Elsa Dreisig, Fatma Said, Jakub Józef Orliński & Il Giardino d'Amore - Gluck: Orfeo ed Euridice, Wq. 30 (2024)

Stefan Plewniak, Elsa Dreisig, Fatma Said, Jakub Józef Orliński & Il Giardino d'Amore - Gluck: Orfeo ed Euridice, Wq. 30 (2024)
FLAC (tracks), Lossless | 1:24:27 | 422 Mb
Genre: Classical

Orfeo in Gluck’s opera Orfeo & Euridice has become a signature role for Jakub Józef Orliński on stages around the world. Now the countertenor embodies the mythical Greek bard in a recording that for him is the realisation of a dream. Made in his native Warsaw, it is conducted by the dynamic Stefan Plewniak and the instrumentalists and chorus are drawn from his ensemble Il Giardino d’Amore. The roles of Orfeo’s wife Euridice and the god Amore are taken by two further rising stars of the opera and concert stage: the sopranos Elsa Dreisig and Fatma Said. Orliński has acted as producer, casting director, and, with Stefan Plewniak, joint artistic director of the recording. “One of my great dreams as a student was to sing the role of Orfeo,” says Orliński, “and now I’ve been lucky enough to perform Orfeo & Euridice in different settings … Working on those different versions I achieved my very own interpretation. I knew that I would love to create my own personal version of the piece, to record my dream role, expressing myself in the way I wanted … I had a clear vision of what I wanted to do with it and how. The most important thing for me as a musician is to have great collaborators, and I couldn’t imagine a better team. Everyone was so willing to make the most of every single take during our long recording sessions. I am really grateful that I can work with people with so much passion … And now I invite you to follow Orfeo on his journey and listen to what the power of love can do.”
Christoph Willibald Gluck - Kammerorchester »C.P.E. Bach« / Hartmut Haenchen - Orfeo ed Euridice [Paris Version 1774] (1989)

Christoph Willibald Gluck - Orfeo ed Euridice (Paris Version-1774)
Jochen Kowalski / Kammerorchester »Carl Philipp Emanuel Bach« / Hartmut Haenchen
2xCD | EAC+LOG+CUE | FLAC: 447 MB | Artwork | 5% Recovery Info
Label/Cat#: Capriccio # 60 008 | Country/Year: Germany 1989
Genre: Classical | Style: Opera, Viennese School

"Once the head conductor of the Netherlands Philharmonic and the Netherlands Chamber Orchestra, and as the principal guest conductor with the Deutschen Staatsoper (German State Opera) in Berlin since 1995, Hartmut Haenchen (originally spelled Hänchen) is noted for the clear, precise phrasing and sumptuously sonorous tones he evokes from his musicians. (…) Since 1980, Haenchen has acted as the artistic director of the Carl Philipp Emanuel Bach Chamber Orchestra, which was founded in Berlin and has presented revivals of C.P.E. Bach's music from re-discovered manuscripts. The ensemble has appeared in many television productions, has received awards for several recordings, and regularly tours…"