God’s Own Country

For some people planning a trip is almost as exciting as doing it; sitting down with books on exotic locations and picking where you want to go is a thrill, but when you first look all the places you can visit, it can be pretty overwhelming.

By the 1950s, Roy Acuff's crown was slipping. He wasn't the star that he had been, but he was still making great records as this collection of ultra-rare sides cut between 1953 and 1958 for Capitol, Decca and MGM shows. Roy was adapting to the changing face of country music, but still making music that was true to his original vision. He re-made some of his biggest hits, including Great Speckled Bird, Lonely Mound Of Clay, Wreck on The Highway, and Precious Jewel. He also recorded some surprisingly good new songs including Goodbye Mister Brown (with Kitty Wells) and I Closed My Heart's Door, which was as powerful a performance as any he ever made.

Gram Parsons had a habit of taking over whatever band he happened to be working with, and on the first three albums on which he appeared he became the focal point, regardless of the talent of his compatriots. Burrito Deluxe, the Burritos' second album, is unique in Parsons' repertoire in that it's the only album where he seems to have deliberately stepped back to make more room for others; whether this was due to Gram's disinterest in a band he was soon to leave, or if he was simply in an unusually democratic frame of mind is a matter of debate. But while it is hardly a bad album, it's not nearly as striking as The Gilded Palace of Sin. And while the band sounds tight and they play with genuine enthusiasm, there's a certain lack of focus in these performances; the band's frontman sounds as if his thoughts are often elsewhere, and the other players can't quite compensate for him. Burrito Deluxe is certainly a better than average country-rock album, but coming from the band who made the genre's most strongly defining music, it's something of a disappointment.

Burrito Deluxe is the second album by the country rock group the Flying Burrito Brothers, released in May 1970 on A&M Records, catalogue 4258. It is the last to feature Gram Parsons prior to his dismissal from the group. It contains the first issued version of the Mick Jagger/Keith Richards-written song "Wild Horses," released almost a year before The Rolling Stones own take on it appeared on Sticky Fingers.

Living and Dying in ¾ Time is the fourth studio album by American singer-songwriter Jimmy Buffett. It is the second major label album in Buffett's Don Gant-produced "Key West phase". It was initially released in February 1974 as his second album for Dunhill Records. It contains the song "Come Monday", his first top-40 hit single.

Living & Dying in ¾ Time is the fourth album by American popular music singer-songwriter Jimmy Buffett and the second major label album in Buffett's Don Gant-produced "Key West phase." It was initially released in February 1974 as Dunhill DS-50132 and later rereleased on Dunhill's successor labels ABC and MCA. It contains the song "Come Monday," his first Top 40 hit single.